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New York City is the Capital of Extra During the Holidays

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(Photo: Scott Lynch)

We’ve already told you about the boom box parade and the naughty Nutcracker, but it gets even weirder than that. Here’s why NYC might just be the most extra city in the country when it comes to the holiday season.

1. People Fight Over Having the World’s Biggest Menorah
No, this isn’t a dirty metaphor. For years the Manhattan and Brooklyn Grand Army Plazas host people competing in the World’s Largest Hanukkah Menorah competition, which, apparently is a thing. The things are so big, cranes have to be used to light the candles. Go big or go home, right?

2. There are Tuba Christmas Declarations of Tuba-ness
What’s more Christmasy than a bunch of tubas coming together to celebrate the holiday. On Dec. 9 hundreds of brass players will gather around the Rockefeller Center ice rink. This isn’t something new. Oh, no. It’s been going on for 45 years. It’s a baby boomer!

3. Legos Build Religious Symbols
Sure, you can make menorahs really huge and make a competition of it. Or you can build a menorah with a bunch of Legos and light it on fire (without melting the actual legos — an insane concept). If you plan to visit its Brooklyn location, watch where you step.

(Photo: Scott Lynch)

4. SantaCon Is Everyone’s Favorite Thing to Hate
The level of hatred for this and also the level of admiration for this is extra. Very extra. Depending how you feel about it, these are the East Village bars to avoid or waddle to on Saturday.

5. There are Toddler-Only Nutcracker Productions
You can no longer blame your lack of rhythm on genetics. Three-year-olds are literally dancing the iconic performance in under 16 minutes. Apparently there’s a social message coming from the toddlers, too. “The show takes a modern crack at the old holiday story, with an eye toward the dangers of consumerism,” according to TimeOut New York. So buy a ticket and support the opposition of consumerism, I guess!

(Photo: Matthew Silver)

6. There is a “Mitzvah Tank Parade”
Mitzvah tanks– no less than two of which were stationed at Astor Place today– are RVs filled with Orthodox Jewish men and boys spreading the good word. Not to be confused with your run-of-the-mill holiday dress-up and float parade, the mitvah tank parade is strictly business — focused on giving treats to anyone they see.

7. So. Many. Tree. Lightings.
We get it, Christmas trees are pretty. So are televisions and your Netflix queue, and you don’t have to stand outside in the cold in a crowd to see that. Also, this needs to be said. Is the best place for your tree actually next to the window facing the street you live on, or are you just trying to show off your latest $35 Pottery Barn ornament?

8. Pop-Ups Take Over
Are pop-ups still cool in 2018? Do they actually make money? Will Rihanna show up when I go? What, exactly do these things have to do with Christmas? Why do I feel jolly entering them? Is this the placebo effect? Why do you do this to me, New York City real estate?


Art This Week: Psychedelic Collage and Meditations On The Unpleasant

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(image via Nat Girsberger / Facebook)

Close Your Eyes
Opening Thursday, December 13 at The Storefront Project, 6 pm to 9 pm. On view through January 6.

Looking at Nat Girsberger’s collages, on view at the Lower East Side’s Storefront Project starting Thursday, is a good way to get lost in a kind of psychedelic fantasy land. Outer space, nature, animals, and human figures intermingle in landscapes with colors that seem brighter than what one would typically encounter in reality. In a time where the news feels more and more anxiety-inducing every day, it’s important to have little moments of escape, where we’re not filled with dread and instead perhaps wondering about the inner life of a deer standing among very large mushrooms standing on a vivid path that seems to be leading into the sun.

Image: Mickey Aloisio, ‘The Pool Noodle’, 2018, Archival pigment print, 20 x 25 in. Courtesy the artist. (via Leslie-Lohman Museum / Facebook)

Trips
Opening Friday, December 14 at Leslie-Lohman Project Space, 6 pm to 8 pm. On view through December 16.

Rarely is art created entirely alone. A painter might isolate themselves for days finishing a particularly intricate canvas, but eventually someone’s going to see it. A photographer has subjects; sculptors buy their supplies from someone or share studio space. This multifaceted social component of art is what artist Mickey Aloisio seeks to examine in their new solo show Trips, which “explores the importance of physical human connectivity in response to the current standard of 2D relationships we value today.” Does putting one end of a pool noodle in your mouth while next to someone with the other end in their mouth count as human connectivity?

(image via Cuchifritos Gallery + Project Space / Facebook)

Extremely absorbent and increasingly hollow
Opening Friday, December 14 at Cuchifritos Gallery + Project Space, 6 pm to 8 pm. On view through February 3.

This group show featuring Alison Kuo, Tiffany Jaeyeon Shin, and Xandra Ibarra zeroes in on how the presence of the rest of the world affects individual bodies and subjects, arguing that it is difficult to be truly “impervious to the penetration of cultural signifiers from the social world.” Naturally, everything we do is informed, consciously or not, by the norms and practices of the world around us, even if we’re rebelling against them. Do something totally new (if that’s even possible anymore), and it becomes something for others to be influenced (or repulsed) by. The show features artists who work with food, fermentation, burlesque, choreography, and more to delve into themes like colonialism, Blackness, class, and what happens when the combination of bodies and objects creates something that mainstream society sees as distasteful.

New York’s ‘Absolute Best’ Dance Club, Output, Is Closing

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Output, a beacon for house and techno that helped turn a once sleepy stretch of Williamsburg into an international nightlife destination, will close at the end of the year, the club’s owners announced today.

“A confluence of factors contributed to the club’s misfortune,” founders Nicolas Matar, Bo Pittman, and Shawn Schwartz announced on Facebook, without going into specifics. “Rapidly shifting social trends, unfavorable market conditions and weakening financial outlooks coincided with the simultaneous emergence of multiple existential challenges unique to the club’s circumstances.”

While acknowledging that the closing, which will occur after one last New Year’s Eve party, “may seem shocking to many,” the owners said they’ve “seen the writing on the wall for some time,” and rejected the option of “taking great risks on uncertain outcomes just to keep the club open in some diminished capacity.”

When the club opened in 2013, it flew in the face of snobby lounges that focused on bottle service, and harkened back to the big-box clubbing days of Limelight and the Palladium, complete with a tooth-rattling Funktion-One sound system. As New York put it in its Best of New York issue that year, “The point here is to dance, not just see and be seen.” Later, Grub Street declared it the absolute best club in New York.

Even as fancy hotels and their rooftop bars sprouted up around it, Output continued to draw an array of local legends like Danny Tenaglia (spinning Dec. 25) and Francois K (Dec. 26) as well as international stars like John Digweed, who will close out the venue on New Year’s Eve. In the summer, its rooftop bar drew lines down the block.

Output’s single-story building at 74 Wythe Avenue sold for $7.4 million in 2014. At the time, the building’s seller said the club would “continue normal operations as per a long-term lease that is in place.”

EDM fans shared their feelings on Twitter and lamented that the club’s closing comes in the wake of Webster Hall’s shuttering last year.

All Dog Moms Want For Christmas Is For Their Pups to Go Viral (and Make Friends)

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(Photos: Jess Rohan, unless noted)

New Yorkers come together for the holidays, and the pomeranians and chihuahuas among us are no different, except that their parents can keep the magic of Christmas alive for their entire lives, because they’ll never know that Santa doesn’t exist.

In New York—where dogs can have as many as a million Instagram followers and even accounts with just 50,000 can fetch $1,000 per post— it’s the season for dog moms to make merry.

This past weekend, Max-bone, a pet accessories store in Soho where dog bow ties run $45, hired a human Santa to pose with four-legged Manhattanites. One of those waiting to sit in Santa’s lap on Saturday was Apple,a Yorkshire Terrier who was herself dressed in a Santa outfit and a bow.

“Little girl, I’m not here for me, come on,” Apple’s dog mom said as Apple wandered away.

A slinky white Golden Retriever named Summer also got carried away in the puppy mosh pit in front of Santa, so her parent kneeled down to reprimand her.

“Summer, no barking, okay?” the woman said calmly, as if speaking to a five-year-old human child.

Finally, Santa yielded to the dog scrum at his feet and got onto the floor for interaction and photo ops.

A weeks-old French bulldog, swaddled in a blanket like a newborn baby, was placed in the crook of Santa’s arm and promptly nibbled on his white synthetic beard.

“Does she have an Instagram?” asked a Max-bone employee.

“Not yet,” the Frenchie’s dog mom said.

The humans running prominent Instagram dog accounts say the term “dog mom” has really picked up in the past three to five years, moving from a tongue-in-cheek phrase to an accepted moniker.

Dorie Herman, whose account The Kardoggians has over 160,000 followers, credits the internet for normalizing an attitude she’s always held towards her dogs. “Now it feels like the mindset of everyone else has caught up to me,” she said.

This past weekend was a winter wonderland for the New York canine community. In addition to the Max-bone event, dogs joined in their own version of SantaCon– a “Santa Paws” event in Madison Square Park– and the Alphabet City dog-friendly cafe Boris and Horton hosted a dog-mom gift exchange.

Paige Chernick, a social media consultant who co-organized the event at Boris and Horton, agrees there has been a cultural shift. “The way we view dogs now is totally different than how we viewed dogs 10 years ago,” she said. “When you consider yourself a dog mom, your dog is like your child.”

Chernick calls herself the “momager” of her two golden doodles, Charlie and Sawyer, whose Instagram account has 100,000 followers.

The dog-mom gift exchange had the feel of an elementary school cafeteria event: dozens of people in sweaters, a flurry of heat and activity, and occasional admonishments from parents to their rambunctious dogs playing in mad swirls around the adults.

Later, dog parents swapped gifts, and each person took home one present for humans and one for dogs.

“Since we don’t have kids we’re not really part of a school community, and we’re not very involved in our church, so this is a great community for us,” said Chris Kroeber, who runs an Instagram under the handle Baileydoodle for her and her husband’s two dogs.

(Photo: @montydoodledoo on Instagram)

The owners of Boris and Horton say building community was one of their goals.“ Dogs sort of break the ice,” co-owner Coppy Holzman told Grub Street when the café opened.

Gift exchange attendees took the opportunity to snap group photos with other dogs of the same breed for their social media accounts, a common occurrence at these events. Some dog moms schedule regular breed-specific meetups in the city.

On Sunday, dog mom Instagram was filled with photos of the weekend’s festivities.

“Such a great party!” @bradleydoodleman commented on Chris Kroeber’s photo on the Baileydoodle page.

“Can’t wait to be off leash and go crazy next year!”

Ponder Our Water Ways at This Art Show On (Where Else?) Canal

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(Photos: Erica Commisso)

Before New York was the concrete jungle it is today, it had a lot more natural resources. Central Park wasn’t an anomaly of green space, and there was once an underground water preserve called Collect Pond under what’s now Tribeca.

Canal Street gets its name from a canal that flowed from that pond. In the 1800s, it was covered over after it became too polluted, and the resulting road now divides Chinatown and Little Italy. Paying homage to the street’s history, the front half of an architecture studio on Canal will, through January 11, be dedicated to artists’ interpretations of water and our relationship to it.

Produced by Osmunda, a group of creatives that use art to highlight humans’ interactions with their environment, the “ourWaters” installation combines sound with various mediums, from photographs to canvases naturally dyed with the imprints of human silhouettes. In the middle is a large pyramid, complete with a table and stools underneath, that is meant to be the home for conversations about the works and their meaning.

Paintings and photographs skirt the pyramid, which is the work of DJ-producer Joro-Boro (a fixture at the old Bulgarian Bar on Canal Street). A pyraponic plant bathed in a soothing purple light greets visitors almost immediately. Fresh-scented herbs are housed in a smaller pyramid sculpture that compliments the pipes that water the plant. Not too far away, there’s a map of New York City that highlights every one of the over 650,000 trees in New York.

The point of the experience is to create a dialogue about sustainability, the environment and water. So says Desdemona Dallas, an Osmunda member and Bedford + Bowery contributor. She wanted to be a writer, until Occupy Wall Street made her realize that she didn’t have the words to express what she was seeing. Dallas found her niche when she switched from documentary photography to art photography. Her photos in the Etching series capture water in its most natural elements–rivers, flowing on rocks, and in breaking waves–and make the blues richer, the browns brighter, and so forth, to represent being shaped by the natural world.

Osmunda offers up free water at the entrance of the installation, so passersby can refill their bottles instead of buying plastic ones. Visitors can also sign a pledge to not use plastic water bottles for one month. (In addition, 10 percent of art sales go to the Newtown Creek Alliance, a Greenpoint-based environmental organization.) Osmunda hopes to highlight that this natural resource, though enjoyed by humans every day, still needs to be cared for.

The Osmunda ourWaters gallery is at 332 Canal Street, with an opening party on December 13 from 6-9pm.
 

Performance Picks: Drag Karaoke, Bread and Puppet Theater, and More

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THURSDAY

(image via BEEF Show / Facebook)

Yell Club
Thursday, December 14 at Rockbar NYC, 9 pm: FREE

People seem to like karaoke, and people seem to like drag shows. These two groups don’t necessarily seem to always overlap, but come Thursday night they will unite at Yell Club, where one person sings karaoke while a drag performer lip-synchs that very same song. So, those of you who feel uninterested or afraid of doing drag but like singing songs when weird MIDI tracks and projected lyrics are involved (shoutout to Sun Fly, the weird karaoke backing track brand bug mascot I have taken a liking to), this will be your night to shine while also giving other performers some material.

FRIDAY

(image via Bread and Puppet Theater / Facebook)

The Grasshopper Rebellion Circus
December 13-16 at Theater For A New City, 8 pm (Sundays at 3 pm): $13-18

Sometimes (well, more than sometimes) it can be hard for people to get out of their comfort zone and do some real protesting and rebelling. Maybe those people just need a new perspective to guide them along the way, like that of a puppet. Specifically, the puppets of the radical troupe Bread and Puppet Theater, who will be setting up shop in NYC this month. After staging a “paper maché puppet opera” by Brecht collaborator Hans Eisler, they’re now showing the world a puppet spectacle about how to rebel against “intolerable situations,” of which there are very many nowadays. And as per tradition, bread (and aioli) will be served at every show.

SATURDAY

(image via Thirty Year Christmas Carol / Facebook)

A Christmas Carol Year Six
Saturday, December 15 at Caveat, 7 pm: $20

For the past five years, theater artists Andrew Farmer, Ryann Weir, and Andrew Neisler have been staging their imaginative version of A Christmas Carol, centered around a couple with a penchant for reading Dickens’s text aloud when the holidays rolls around, no matter what they may be going through that year. This Saturday will mark the trio’s sixth year, and if that sounds impressive, know that they plan on doing this for another 24 revolutions around the sun and will be releasing the past five iterations as a podcast.

SUNDAY

(image via Vital Joint / Facebook)

Craigsurday Night List
Sunday, December 16 at Vital Joint, 9:30 pm: $5

Once a more bustling place to find all sorts of things, Craigslist is mostly used today for buying and selling questionable furniture and looking for jobs or apartments once you’ve exhausted your other, less anonymous options. But as it turns out, it can also be used to recruit writers you’ve never met before to pen sketches for a comedy show, and that’s precisely what Larry Sass-Ainsworth is doing for the second edition of Craigsurday Night List. (Please note the show is on a Sunday.) While the writers are Craigslist randos, the cast is more familiar, consisting of Brooklyn comedy regulars Justin Linville, Amanda Xeller, Chase Montavon, Jason Weitzman, and Stephanie Lescheck.

Reel Good News: Nitehawk Prospect Park Opens This Month

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(Photo via @nitehawkcinema on Instagram)

It was just over a year ago that we took a construction tour of Nitehawk Prospect Park. Since then, cinephiles and Slopers have been on tenterhooks awaiting an opening date for the South Brooklyn offshoot of the popular Williamsburg dine-in theater. Now we finally have it: Its marquee has announced a grand opening on Dec. 19.

It’s uncertain what exactly the cinema will launch with– Nitehawk promises “more details coming soon”– but this much is known: The former home of the notoriously grubby Pavilion, at 188 Prospect Park West, will now house seven theaters with a total of about 650 seats, two kitchens, and upstairs and downstairs bars.

“The larger theater will show bigger releases, which we couldn’t do in Williamsburg,” Matthew Viragh, founder of Nitehawk, said of the main, 160-seat screening room during last year’s construction tour. “We will be able to pick and choose bigger stuff, like Star Wars.” (At the time, Star Wars was a thing.)

Still no movie times on the theater’s Fandango or Facebook pages, but stay tuned to that and the theater’s website for any updates. In the meantime, here’s some construction photos of the renovation of the building, which dates back to 1928.

 

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Finished the marquee and cleaned up the front door. Getting close! #NitehawkProspectPark #comingsoon #parkslope #brooklyn

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Oh hey, just testing out the #dolby sound system in Theater 2. #nitehawkprospectpark #comingsoon

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Lobby bar coming together; draft beer tap installation. #nitehawkprospectpark #NHProspectPark #comingsoon #brooklynfilterinbrooklyn

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Where to Stuff Your Face On National Cupcake Day

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Cupcakes at Butter Lane (Photo: Corinne Durand for NY Mag)

Prepare yourselves, the most important snack-related day of December is quickly approaching. December 15 marks National Cupcake Day, better known in some circles as the best day ever, and New Yorkers everywhere should be celebrating. Now that cupcakes are making a comeback(?), this is a holiday that knows no divide except whether or not you like jelly in the middle of your cupcakes and, really, everybody wins either way. We’ve rounded up some of the east side’s best places to celebrate.

Butter Lane
123 E 7th Street, East Village.
This gourmet cupcake bakery and cafe offers up so many options to celebrate: order online ahead of time to be the most prepared, stop into the cafe for day-of celebrations, take a class to make the National Cupcake Day joy a year-round thing and learn the finer points of cupcake making, or book a party to celebrate espresso, maple pecan, honey cinnamon, caramel and cream cheese flavored snacks in the biggest possible way.

Veniero’s
342 E 11th Street, East Village.
Step into a real piece of New York City history with this Italian bakery. It’s been around since 1894, and we think their recipes should probably be trusted. Originally opened by a young Italian immigrant named Antonio Veniero, this place has been serving candy and espresso since before 11th Street had anything except billiards clubs. It’s still run by members of the Veniero family, and has a 100-person cafe that offers up every imaginable kind of sweet treat, including cupcakes, but with a touch of Italian flare.

Prohibition Bakery
9 Clinton St., Lower East Side.
If you’re the kind of person who likes to liven up a meal with a little bit of alcohol, look no further. Boozy cupcakes at this hole-in-the-wall include Pretzels & Beer, Old Fashioned, Dark and Stormy, White Russian and Car Bomb. There are alcohol-free cupcakes, too, but even these are a little daring. L’Italiano has cranberry, rosemary and almond, and For the Love of Bacon combines toffee, bittersweet chocolate and bacon.

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Cupcake Market
74 E 7th Street, East Village
While they may be best known for their face cookies, this quaint bakery offers up another kind of Instagram-worthy treat. Cupcakes with beautiful, flowery toppings, fresh fruit, and flavored icing. Did you really celebrate if you didn’t post about it on social media?

Sugar Sketch
172 E 2nd Street, East Village
This eatery makes their cupcakes fresh every day, and every single one of the 15 flavor combinations has a filling. Some are classics, like Funfetti and Chocolate Splash. Others are more unique, like PB&J and Raspberry Lemonade. Cupcake lovers can also place orders for unique combinations online, and some gluten-free options are available.

Tu-Lu’s Gluten Free Bakery
338 E 11th Street, East Village
Dietary restrictions? No problem for this colorful bakery, owned by a Texas woman with a gluten intolerance. According to the website, she’s found a gluten-free substitute for almost every triggering food, and now wants to share her love of food with other people who have difficulty finding treats that they can eat. So, in addition to offering up gluten-free cupcakes, Tu-Lu’s also features vegan and dairy-free cupcakes, with a selection of flavors that changes daily.

 


Shop (or Drink) Till You Drop at These DIY-Driven Holiday Markets

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(Photo: Daniel Maurer)

The holiday season doesn’t have to mean fighting tourists as they try to pry the last soy candle out of your freezing fingers at the Union Square Holiday Market. Below, we’ve singled out some of the chiller (and less chilly) gatherings of local independent vendors and makers. Most of them will be serving up booze, to quell your anxiety about what to get the thankless grumps in your life. Happy holidays!

The A/D/O Shop Supermarket
Dec. 15 and 16, noon, at a/d/o, 29 Norman Ave., Greenpoint
Shop for “apparel, design objects, home goods, books and jewelry” at the chic creative space that houses Norman restaurant. Among the vendors are Tantuvi, which designs vibrant geometric rugs made by a cooperative of South Indian women, and Don’t Worry Baby, designer of funky crop-tops. Wine will be served from 4pm to 7pm.

WOMYN
Dec. 15, 11am to 6pm, Grand Central Atelier, 46-06 11th St., Long Island City
Long Island City art studio Grand Central Atelier is curating this marketplace of female-founded art and fashion companies, featuring New York-made clothes by Of Her Own Kind, Sabrina SL’s jewelry and clothing for “ethereal women,” Brooklyn-designed, Italian-made luxury handbags by Creagh, and more. There’ll be hand-poke tattoos, as well.

FAD Market Holiday Pop-Up
Dec. 15 and 16, at City Point, 445 Albee Square W, Downtown Brooklyn
This one at City Point, home of Alamo Drafthouse and DeKalb Market Hall, promises 70 indie designers and makers offering “handmade jewelry, apparel, bath and body care, tableware, home furnishings and more.” There’s also a VR experience that allows you to meet Santa virtually, with no worries of Bad Santa-esque whiskey breath.

Winter Smorgasburg + Brooklyn Flea
Saturdays 11am to 8pm and Sundays until 5pm, at Atlantic Terminal, 625 Atlantic Ave., Downtown Brooklyn
In addition to its usual dizzying array of food and knick-knack hawkers, this weekend the Brooklyn Flea welcomes new vendor Wilder Duncan, whose rogue taxidermy has been featured on Bedford + Bowery. Will he be selling some sort of grotesque stuffed reindeer mashup? Only one way to find out.

Group Partner Holiday Market
Dec. 15, 16, 22 and 23, at 892 Lorimer St., Williamsburg
Hester Street Fair and Group Partner have teamed up to curate this holiday market at the ceramic studio’s home across from McCarren Park. Among the vendors are Jen Fisher, whom you may have seen hawking books on Avenue A; Greenpoint kombucha brewers Mombucha; and “inactive-wear” designers Offhours, who will be selling their “homecoat” (basically a comforter with sleeves).

Le Souk Holiday Market
Dec. 16, 1pm to 6pm, at Extra Fancy, 302 Metropolitan Ave., Williamsburg
This pop-up at Williamsburg seafood spot Extra Fancy promises “apothecary, home decor, vintage, gifts, jewelry, DIY, candles” from the likes of jeweler Empress & Judge, CBD supplier Needle Rock Farms, skincare line Rodan + Fields, and more. Plus there’ll be live music, poetry readings, and you can get a Polaroid taken with Santa.

Damn the Mistletoe Holiday Market
Dec. 16, noon, at Three Diamond Door, 211 Knickerbocker Ave., East Williamsburg
Roving pop-up Mama Yoshi will serving Japanese comfort food, like katsu sandwiches, at this market inside of a bar. Shop till you drop or drink till you drop, the choice is yours.

Sugar x Spice Holiday Makers Market
Dec. 16, 1pm to 6pm, at Brooklyn Bazaar, 150 Greenpoint Ave., Greenpoint
The second annual installment of this DIY fair promises a photo booth, a full bar, a card-making station, and over 30 makers, including Make Stitches Get Money, a maker of cheeky and custom cross-stitches (e.g. “No Flex Zone”) and Dirty Dude Apothecary, a maker of liquor-flask diffusers and other items for the Manthropologie set.

Renegade Craft Fair
Dec. 22 and 23, 11am to 5pm, at Brooklyn Expo Center, 72 Noble St., Greenpoint
This annual craftacular returns to Greenpoint with DJs, food trucks, cocktails, and, of course, dozens upon dozens of local makers. The impressive directory of vendors includes potters, jewelers, woodworkers, weavers, soap makers, chocolatiers, distillers, and all the rest.

Watch Gov. Cuomo Sample the L-Train Tunnel’s ‘Toxic Cocktail’

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(Photo via governorandrewcuomo on/Flickr)

Just four months ahead of the planned L-train shutdown, Governor Andrew Cuomo and a team of experts toured a section of the Canarsie Tunnel in order to determine whether the MTA’s repair plan is up to snuff. Cuomo got up close and personal this morning with what he described as the “toxic cocktail” that was created when salt water from Hurricane Sandy mixed with the 94-year-old tunnel’s electrical equipment.

At the 1:58 mark of b-roll footage provided by the governor’s office, Cuomo dips his hand into the murky sludge at the bottom of the tracks. It almost looks like he’s going to put a finger to his mouth and taste it, like a mixologist with a penchant for brick-infused whiskey. But the video cuts off before we find out whether he had the guts.

But seriously, this is nothing to joke about. After touring the tunnel with MTA reps, former US Department of Transportation chief of staff Sarah Feinberg, and the deans and others from Columbia and Cornell’s engineering schools, Cuomo said he wanted to personally reassure doubtful New Yorkers that he had pursued all possible avenues.

“The MTA believes their methodology is the best way to do it and the fastest way to do it,” he said. “New Yorkers tend to be a skeptical bunch. This is going to be highly disruptive, construction is going to start in four months, and I wanted to make sure we get the best minds on the globe to review the project.”

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As the team of experts does further research, Cuomo said, they might decide that no changes are needed, they might offer minor suggestions, or they might come up with a “totally different theory of how this can be done.” But he stressed that the MTA is currently on track to execute its planned 15-month shutdown of service across the East River and within Manhattan and is not preparing for a scenario that involves the previously rejected alternative of closing the tunnel only during nights and weekends.

Cuomo described this morning’s tour/photo op, which disrupted train service and was dubbed a “blatant stunt” by one transportation blogger, as his panel’s “preliminary look” at physical damage to the tunnel, including concrete electrical housing that had cracked due to salt buildup, and said he expected to know where the crack team stood in about two weeks.

Here are the governor’s full remarks:

Inside Nitehawk Prospect Park, Which Just Revealed Its Opening Slate

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(Photos courtesy of Nitehawk Cinema)

Last week, after more than two years of anticipation, Williamsburg dine-in theater Nitehawk Cinema announced it was finally ready to open its revamp of the former Pavilion theater in Park Slope. Now Nitehawk has shared Wednesday’s opening slate of films, tickets for which are currently on sale.

650 seats are spread across seven theaters.

On the marquee is a Bedford + Bowery favorite, The World Before Your Feet, the Jesse Eisenberg-produced documentary about one man’s quest to walk every street in New York City. Also on tap are The Favourite, Shoplifters, Free Solo, Green Book, and Mary Poppins Returns, although that last film’s stars, Emily Blunt and Lin-Manuel Miranda, just released a no-talking PSA for Brooklyn’s other dine-in theater, Alamo Drafthouse.

The bars will be open to theater-goers and the general public. Upper windows offer a view of Prospect Park.

Opening Thursday is Aquaman and coming Dec. 25 is Adam McKay’s head-scratching Dick Cheney biopic, Vice. January will bring Barry Jenkins’s Moonlight followup, If Beale Street Could Talk. Nitehawk, which usually pairs custom cocktails and dishes with its films, hasn’t released the Prospect Park menu yet, but you have to imagine that, in Cheney’s honor, they’ll serve a Texas Buckshot in lieu of a Kentucky Buck. (Spoiler alert: Cheney shot someone in the face.) This much is certain: A new “Dine & Dash” option will allow moviegoers to pay for meals without having to sign the check during the film, which is always super annoying.

There’s a display of vintage VHS boxes near the upstairs bar.

Nitehawk Prospect Park is at 188 Prospect Park West; head on over here to buy tickets.

Village Army Navy Store Closes After 20 Years But Hopes For Another Tour of Duty

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(Photos: Jess Rohan)

There’s a U-Haul parked outside Uncle Sam’s Army Navy Outfitters store on 8th Street, because the thrift store closed yesterday after 20 years in Greenwich Village.

Owner Richard Geist was on hand to pack up the merchandise with the other staff. “We were more than a store, we were a service [for] veterans who want to bury their father in his military uniform, theater people, Halloween,” Geist said.

Geist, who moved from Toronto and opened the store at age 24, chose its location, between 6th and 5th Avenues, for its history. “The Village was the epicenter of the creative world,” he said. “Everything started here.”

Uncle Sam’s is just steps from Jimi Hendrix’s Electric Lady Studios, where artists including Patti Smith, Stevie Wonder, David Bowie, Lorde, Adele and Frank Ocean have all recorded music.

Last year, Geist was part of a campaign with fellow 8th Street merchant Storm Ritter, whose store has also closed, to bestow West 8th Street with the honorary name of Jimi Hendrix Way, to acknowledge the legendary musician’s contributions to the neighborhood. Their petition currently has over 20,000 signatures, Geist said. Though it’s not final yet, Geist said the City has already indicated it would not accommodate their request, saying that Hendrix did not have enough of a good influence on New York. That, Geist said, is when he knew he had to leave 8th Street.

“Can you imagine people landing in JFK from all over the world, and they’re walking on these streets?” Geist said. “We’re worse than an empty mall; Starbucks, McDonalds, that’s all you see, just chains.”

Mayer “Mike” Ebbo, who owns Mind Boggler Shoes down the block, stopped by to ask Geist how much he’d paid for the U-Haul.  “I don’t believe I’ll be here past 2019,” said Ebbo, who opened his store in 1988. “We do a lot of online business, but there’s no money in it.”

Monk thrift shop also recently closed its 27-year-old location at West 8th and MacDougal Street. A sign on the empty storefront directs customers to its locations in Williamsburg and Greenpoint.

Geist hopes to reopen Uncle Sam’s on Orchard Street on the Lower East Side. The store’s additional locations in Toronto and Buffalo will remain open.

At one point he asked my name, and rummaged through a pile for a second before presenting me with an engraved cutting board.

“There’s no J, but here’s an I,” he said.

 

A Singular Talent, Chef Anita Lo Wants You to Find Joy in Cooking Alone

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(Photo: Julie Smith)

Americans are more single than ever, and if every romantic comedy made in the past twenty years is to be believed, that means there have never been so many lonely people microwaving soggy leftovers.

Somehow we’ve got it in our heads that eating alone is inherently pathetic, that meals for one aren’t meant to be savored, but scarfed down with a little bit of shame. It doesn’t even matter if you cancook – why would you put all that effort in just for yourself?

It’s a question even veteran chefs have encountered. “I always said it was bizarre that chefs said they couldn’t cook for just themselves,” says Anita Lo, Michelin-starred chef and author of the new cookbook Solo: A Modern Cookbook for a Party of One. “It didn’t make sense to me.”

Lo is no longer what you might call a “practicing chef.” She opened Annisa in the West Village in 2000 and closed it last year after the rising cost of rent and general burnout convinced her that it was time to say goodbye. In a brainstorming session for book titles that incorporated her last name, a friend suggested “Solo,” and she went for it immediately. “I’ve been dumped almost as many times as I’ve been in relationships – and I can count those on less than two hands,” Lo writes in the introduction to the book. “Spread over my fifty-year life-span, that’s a lot of solo meals.”

Her book would be funny, Lo thought, but also important – everyone should have to cook for themselves at some point in their lives. In it, she takes readers through snapshots of her memory, bringing each to life through a recipe, with minimalist illustrations by Julia Rothman. Take, for example, a Valentine’s Day dish Lo served at Annisa, inspired by an Icelandic artist ex-girlfriend: “I fell so hard for this woman,” Lo says. “We dated for about two weeks. It was like, ‘I will have your babies, calling the U-Haul now.’” When the woman told Lo she’d rather just be friends, Lo created a dish for Annisa’s Valentine’s Day menu: Roasted Arctic Char with Lentils, Hot Dates, and a Cold Shower of Skyr. “Valentine’s Day, I always have something for the lonely person,” Lo says.

Despite spending the longest stretches of her life single, Lo finds herself promoting this book while in a happy relationship of more than six years. “Although I have a soft spot for the depressed, jilted single, Solo is also for those who are happiest on their own, or those who are part of a fractured family, in whatever form,” she writes in the book. “Quite often these days, even if we’re not single, we are left alone due to our partner’s work/family’s social obligation.”

Lo met her partner, Mary Attea, when Attea was hired as chef de cuisine at Annisa. Attea recently went back to work full-time at the Noho mediterranean spot Vic’s, leaving Lo in that second category of people who cook solo meals when they’re home alone. “It’s something I learned to appreciate with age,” she says. “Everyone needs a little time for themselves. Having too much of it is a problem, having not enough is also a problem.”

Lo believes that solo dining doesn’t have to be easy and microwavable to be worth doing. The dishes in herbook, while sophisticated and indulgent, still only take an hour of prep time on average. Her recipes are designed so that a single person can complete them in one night in a small, urban apartment. They aren’t difficult, but they do require more attention than most of us usually give to our own meals. But this is the point – to care about ourselves enough to put a little more effort into our meals, even when we’re eating them alone.

Lo grew up with her mother, father, brother and sister in Birmingham, Michigan. Her mother and father, who survived the Cultural Revolution in China, instilled in her a distaste for waste – something she addresses thoroughly in her book, which features a chart explaining how to use every part of a chicken.

The first dish Lo ever prepared did not suggest any sort of prodigious talent that set her life on course to becoming a chef. It was an attempt to recreate something she saw her older sister make – a baked chicken leg with crispy skin and a sort of Italian dressing. “I tried to mimic that, and it just wasn’t cooking,” Lo says. “For some reason, I got the idea that I should add milk.” The ability to improvise in the kitchen came after a little more by-the-book practice. “I learned to actually cook from recipes instead of just winging it without knowing what you’re doing,” she says.

Lo’s mother was a pathologist, as was her father, who died when Lo was 13. Lo and her siblings then grew up with her mother and their stepfather, who worked as a fundraiser for the American Friends Service Committee. Growing up in the 1970s in the midwest, female doctors were somewhat rare, and Lo’s mother was an example for the kind of barrier breaker Lo would eventually become in the male-dominated world of fine cuisine.

“She definitely raised us to be aware of feminist issues and stuff like that, all sorts of social issues,” she says. “But at the same time, she still did all the cooking. Do I remember my stepfather cleaning up? I don’t.”

Lo didn’t get along with her stepfather, and was sent to boarding school in Massachusetts for her sophomore year of high school. “I loved it. I looooved it,” Lo says of boarding school. Despite not being from the “kind of family” that sent kids to boarding school in New England, the three years spent at Concord Academy gave Lo freedom and independence. “It was probably one of the best things that ever happened to me.”

It wasn’t until starting college at Columbia University that Lo began experimenting with cooking, not so much out of passion, but to avoid dining hall food. The summer after her junior year, when she studied abroad in Paris, Lo fell in love with French cuisine. After working at David Bouley’s restaurant as garde-manger – pantry chef – for a year after college, Lo returned to Paris to attend the Ecole Ritz-Escoffier, where she received a callous, martial French culinary education.

“I learned what not to do,” Lo says. While the French education developed her technical skills, the militaristic way that kitchens were run there turned her off. Like much of the culinary culture in America, it was a male-dominated, elitist world, where an iron will was valued over common sense.

“My cooking school teacher told this story about how he was on a line in France, and somebody cut themselves so badly that it just wouldn’t stop bleeding and the guy was sort of complaining, and they just needed to keep going, the show must go on,” Lo explains. “They have these flat-top, roaring hot things, so the chef took the guy’s hand and cauterized it.”

While some of that mindset originated in the French culture, it certainly had no trouble transferring over to the States, where chefs and cooks are overworked, often to the point of exhaustion. “You can get burned out, especially if you’re not taking care of yourself,” Lo says. “They don’t really teach you that. Especially back when I grew up in this. If you left after 12 hours, someone would ask, ‘Half day?’”

Lo vowed not to foster this sort of macho behavior in her own kitchen when she opened Annisa in 2000. Lo was known for mentoring young cooks, especially young women, despite the fact that when she was coming up in the business nearly twenty years ago, there weren’t many female chefs to do the same for her.

That’s not something Lo wastes time lamenting, but she does admit that it would’ve been nice to have another woman around to show her the ropes, especially when she was just starting out.

Today, the landscape looks a bit different, though Lo is quick to point out that it’s not different enough – too many chefs are still white men. But in 17 years at Annisa, Lo become a mentor to many young cooks – some of whom have moved up. Suzanne Cups, a former cook at Annisa, is now the executive chef at Untitled at the Whitney, which also happens to be one of Lo’s favorite restaurants. There’s Sohui Kim, another Lo mentee, who opened her own spots – The Good Fork in Red Hook, Brooklyn, and Insa, a Korean barbecue and karaoke joint. And then there’s Sawako Okochi, chef and owner at the Jewish and Japanese-inspired restaurant Shalom Japan.

It doesn’t escape Lo’s notice that many of her former mentees have gone on to lead restaurants that bring a new kind of cultural diversity – both in their cuisines and in their staffs.

“They bust their asses for you, and you owe it to them to help out,” Lo says. “I think you owe it to them to actually help them get to the place when they can start to make some money.”

At a recent Q&A at Books Are Magic in Cobble Hill, the moderator asked Lo if she’d consider re-opening Annisa. A couple standing in the back shouted, “We loved it!” despite Lo’s insistence that she’s buried Annisa for good.

That little act of vocal encouragement pales in comparison to what other fans have done: “There’s two babies named Annisa out there,” Lo says later. Two separatesets of parents – presumably Annisa regulars, though Lo can’t say for sure – loved the restaurant, its food, its people, so much, that they named their babies after it.

“It’s like you’ve had children,” Lo says, laughing. “I’ve got my legacy, I’m done!”

Some have taken Lo’s latest venture as more of a joke than an appropriate way to cap off Annisa’s 17-year run. “I told some chefs at an event the other day, and they laughed at me,” Lo said in a Q&A with Taste magazine. “I was like, ‘I’m writing a cookbook for one,’ and they all just broke out laughing. And I was like, ‘Okay, fine. It’s selling really well.’”

Is New York Really America’s 2nd Kindest City Or Is This Study Total Friggin Bull?

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(Photo via City Reliquary/Facebook)

Grumpy, miserable, fast-moving, money-driven: Everyone has their idea about New Yorkers. But, a new study is busting every one of those stereotypes faster than you can say kindness.

According to the study, conducted by WalletHub, New York City is the second most caring city in America, behind Madison, Wisconsin. Using statistics from federal government agencies and various other sources, the finance website ranked the largest 100 cities in the world according to 38 factors indicating a “compassionate spirit.”

In the “caring for the community” category, New Yorkers ranked the highest per capita in the country, as our propensity for online giving and Googling ways to donate to charity topped the charts. Property crime rates are the fourth lowest, and we’re fifth in the nation for volunteering hours per capita. Cue the shoulder taps.

This is a far cry from the faux-accolades New Yorkers typically receive. In 2015, Travel + Leisure voted the Big Apple the unfriendliest city. A few weeks ago, WalletHub also named it one of the most sinful cities in the country. On a more positive note, September saw the city beat out Seattle for the city with the best coffee in America. And, though it ranks very high in terms of food accessibility, diversity and quality, New York is one of the worst cities in the country in terms of food affordability.

There is, obviously, no doubt that things could still be different (and better) in the city, as WalletHub notes that New York still ranks 13th in the “caring for the vulnerable” category and 14th in the “caring in the workforce” category. Out of a possible 100 points, New York City garnered 68.59 points (Madison, WI had 68.73). It’s respectable, yes, but there is definitely room for improvement.

Just across the Hudson River, Jersey City ranked fifth overall on WalletHub’s list. It scored 63.25 out of 100, ranking second in “caring for the community,” 48th in “caring for the vulnerable,” and 11th in “caring in the workforce.”

And, taking a little jab at New York City’s mortal enemy, Los Angeles, the so-called City of Angels ranked 38th with a score of 55.48. Maybe we should switch titles…

Mayor Meets With Chinatown Reps to Sell Controversial High-Rise Jail

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Mayor Bill de Blasio came to Chinatown this morning to discuss controversial plans for a high-rise jail with local elected officials and about a dozen local stakeholders. But some of those who weren’t invited, like Chinatown resident Karlin Chan, were left out in the cold.

The proposed jail is one of four across the city meant to replace Rikers. The City originally proposed 125 White Street as its location in February, before moving it to 80 Centre Street, citing space concerns. Today’s meeting sought community input on the project’s return to the 125 White proposal after public outcry over the Centre Street location. Officials have also said the Centre Street site would cost more than they previously realized.

The White Street jail would be 500 feet or 50 stories tall, up from the 400-foot height planned for the Centre Street site. The jail would require 125 new parking spaces and draw an estimated 350 visitors per day.

On Twitter, Chan criticized officials for holding a closed-door meeting and inviting select non-profit organizations, calling it “sham community engagement.” The heads of major local community organizations like the Chinese Consolidated Benevolent Association and the Lin Sing Association weren’t able to attend because of the late notice, Chan said.

The president of the Chinatown Senior Citizens Center, adjacent the site, attended the meeting, along with representatives from the Museum of Chinese in America, Community Board 1, and Hamilton-Madison House, a community organization. Elected officials like City Council member Margaret Chin and Congresswoman Nydia Velazquez were also on hand.

Nancy Kong, co-op president of the nearby Chatham Towers and member of Neighbors United Below Canal, called for an entirely new Environmental Impact Statement and scoping process for the site, since prior calculations were based on the Centre Street site.

At the meeting, de Blasio characterized the new jail as a benefit for the city as a whole. “Every community geographically takes on elements that we need for everyone,” de Blasio said, adding that the city should also ensure that such communities have their specific needs met.

Locals opposing the new jail have said that Chinatown shoulders an unfair burden of undesirable city infrastructure without receiving adequate social services like affordable housing and education. The neighborhood has one of the highest air pollution levels in Manhattan, partly due to its proximity to the Manhattan and Brooklyn bridges, and residents

say the City is opening Chinatown property to developers without proper community input or benefit, spurring gentrification that drives out residents. Compared to the city average, the neighborhood has double the rates of limited English proficiency and education below a high school diploma.

“We currently have three jails in Chinatown, and now you want one of our jails to triple in size. That’s more than bearing the fair share,” Kong said. “It’s fairly easy to push through a jail in a densely populated, immigrant neighborhood.”

In addition to the Manhattan Detention Complex, the street Park Row has been inaccessible to civilians since 9/11, cutting off part of Chinatown from the rest of Lower Manhattan.

“We currently live and conduct business within the city’s largest penal system consisting of City and Federal courts; consisting of city and federal jails and let us not forget, after 9/11, consisting of extraordinarily enhanced city and federal security. We live with armed guards, with bomb-sniffing dogs, with cameras and with checkpoints at every other corner,” Kong said in a statement at the meeting.

Other persistent problems include waste removal and traffic congestion, which the new jail is expected to exacerbate. During today’s meeting, at an intersection right outside, a pedestrian was struck and critically injured by a private waste hauling truck; members of the mayor’s security detail were among the first on the scene.

“We take the public transportation,” Kong said. “We need emergency services, those are delayed. We can’t park because the city has taken up all of the street parking.”

“We have no say, there’s no input. They’ve always done this to Chinatown,” said Victor, a local resident who stood outside the meeting with Chan and a few other residents holding signs in protest.

Victor pointed out that when the Manhattan Detention Complex, which would be demolished to make way for the new jail, was expanded in the 1980s, about 12,000 people took to the streets in protest, arguing that the area already had more than its fair share of such buildings. The 1980s expansion was meant to house prisoners from a section of Rikers that a court had ordered the city to close.

“We are here today but you have already decided on the sites, the number of detainees, the programming. We get to have input on the color? The entryway? That is not good enough,” Kong said.

At the meeting, de Blasio indicated his faith that the coming Uniform Land Use Review Procedure would adequately incorporate the community’s concerns and requests. The process will allow the community board, borough president, and the City Planning Commission to weigh in on the application before it goes to the mayor for approval.

Chan is also concerned that the pollution and noise of demolition and construction will harm residents of the Chinatown Senior Citizens Center a block from the new site. Construction vehicles are partly to blame for the already-high rates of certain harmful emissions in Chinatown’s air. It remains unclear whether the senior center will be accounted for in the City’s assessment, given that it was not included in the Environmental Impact Statement issued for the project when it was still slated for the Centre Street location.

Kong said she’s disappointed the mayor didn’t show interest in issuing a new Environmental Impact Statement, or in considering a fifth location in Staten Island to ease the burden on the other four jail sites. Senator Brian Kavanagh mentioned at the meeting that the commission convened to study the Rikers situation suggested a fifth site, but the mayor indicated they would continue to move forward with just four.

Still, Kong said she remains hopeful. “I really believe the mayor will do the right thing and make changes if he can really understand why we are concerned,” she said.

“I don’t believe that prisons and communities go together,” Chan said. He referenced the recent violence at a juvenile detention center in the Bronx after youth were moved there from Rikers, which injured 21 guards and an unknown number of prisoners.

Chan said policy reform, not prisoner transfers, would be the best path forward. “Why don’t we have free buses go to Rikers?” Chan said. “I am all for policy reform, but we can do it without closing Rikers. We need policy change.”

In a statement released before the meeting, Neighbors United Below Canal called for “serious dialogue about the costs of incarceration versus less costly alternatives, such as prevention, mental health programs, education, community efforts, and drug treatment.”

“A 50-story structure in the heart of an already densely populated, unique, diverse and historic neighborhood, with a failing transit, water and sewage system,” the statement read, “is not the answer.”


A Jane Jacobs Theater Festival, Machine Learning Comedy, and More Shows To See

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WEDNESDAY

(image via Caveat / Facebook)

Internet Explorers
Wednesday, December 19 at Caveat, 9 pm: $10

The internet can be a scary place, so that’s why this show has comedians to help you navigate the tangled mess that is the World Wide Web. If only it was a Mr. World Wide Web, and Pitbull was the sole creator and moderator of the online world. How different things might be… But they aren’t, so come to Caveat and see Mark Vigeant, a custom-made Twitter bot, and a merry band of assorted jokesters (including Botnik Studios, an “entertainment group” that uses machine learning) serve up their best material about artificial intelligence, the force that may one day replace humanity.

THURSDAY

(image via Jenny Gorelick / Facebook)

Office Christmas Party
Thursday, December 20 at The Jane Hotel, 8 pm: $10

If you have a full-time job, you’ve probably already attended your office holiday party, mingling with coworkers after hours and racking up a sizable hangover the next day. If you’re a freelancer of some sort, you’ve probably finagled your way into some kind of holiday party and taken advantage of the open bar, because you don’t make enough money to afford a cash bar anyway. Attend one more bash that just happens to be a themed comedy show in a swanky hotel as hosts Jenny Gorelick and Kristen Buckels and performers Patti Harrison, Matt Rogers, Alison Leiby, Zach Zimmerman, and Becky Chicone are your coworkers for the evening, which will probably be uh, different than anything you’re used to.

FRIDAY

(flyer courtesy of Up Close Festival)

Up Close Festival
December 20-31 at New Ohio Theater, 7 pm (some shows at 3 pm): $25

Deemed the “first-ever-of-its-kind,” the Up Close Festival is a theater festival that’s uniquely New York. More specifically, it features performances about the pleasures and perils of Greenwich Village’s history and is organized around urbanist activist Jane Jacobs’s “principles for a healthy community”:  population density, mixed uses, old buildings, and short blocks. It’s staged in the West Village’s New Ohio Theater, an old, mixed-use building that was saved by the New York Landmarks Conservancy. After you see the shows (which are suited for all ages and involve topics from nearby music venue The Bitter End to pizza rat), you may find yourself with a renewed interest in exploring your surroundings.

SATURDAY

(image via Brooklyn Comedy Collective / Facebook)

The Urban Cafe Variety Slam
Saturday, December 22 at The Brick, 10 pm: $10

While you never know quite what you’re going to get at an open mic, you can pretty much guarantee there will be at least 1-3 cringeworthy moments, often from straight white dudes or anyone who spends half their set talking about how they’re really bombing tonight, they’re so sorry. But this is a “fake open mic,” so things will be a little different. Comedians (including Brett Davis, Rachel Pegram, Steven Markow, Charlie Bardey, and host Kyle Gordon) will do their best “musical characters” and surely in doing so summon some spirits of memorable open mic participants. Only this time, you can laugh at them without fearing some sort of acoustic guitar revenge.

Brooklyn Gets a Big Block of Solar-Powered Homes and Businesses

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Solar panels at the Brooklyn Navy Yard (photo via NYC Mayor’s office)

Remember when Governor Cuomo said he’d ensure that half of New York state’s consumed energy would come from renewable sources by 2030? It turns out that, unlike the MTA and the endless battles around it, this project is actually seeing action.

A 1.2 MW solar array system is now up and running in Brooklyn, according to the New York State Energy and Research Development Authority (NYSERDA).

The 3,325 panels can be found on the rooftops of two areas on Pitkin Avenue around Cypress Hills, in the same general area as the Pitkin Avenue Business Improvement District. The project follows the massive uptick in solar energy installation across Brooklyn, after years of solar power companies avoiding New York City.

The Pitkin Ave installation is the largest community solar project in New York City; some 196 Brooklyn businesses and residents will now receive power from the array. Of those, 70% are residential customers, 20% are small businesses, and 10% are residents of low to moderate income.

Using the state’s NY-Sun program, NYSERDA dedicated over $850,000 to fund the project. They’ve supported over 84,000 statewide solar installations to date, including the 5,004 projects that are currently in various stages of construction and planning.

The NYSERDA is not the only company helping Brooklyn go solar. About a month ago, the New York City Economic Development Corporation (NYCEDC) announced the selection of UPROSE, Solar One and Co-op Power to handle the building and operation of a Brooklyn Army Terminal community solar garden. It’s slated to be the first cooperatively owned project of this nature in the state, and will use a subscription-based service so that local residents and businesses can tap into the garden’s solar energy. The subscribers will collectively own the Brooklyn Army Terminal garden, have a say in how the garden operates, and it’s possible they may even eventually earn dividends.

The 80,000 square foot garden will be housed on the roof of the Brooklyn Army Terminal’s Building B, and will become operational in late 2019.

How Do You Feel About a Cute New Spot For Books, Vinyl, and Vintage?

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Christine Costello and Patrick Noecker wanted to curate a selection of items—books, clothing, housewares, records, incense sticks and other trinkets—that make people feel good. And so, today they opened their store Feels in Ridgewood.

The co-founders are a married couple who met when Costello, who spent time living in Portland and Austin before relocating to New York for art school, was working at Beacon’s Closet in Park Slope. Noecker, who comes from a farming family in Nebraska, is a musician who has been in Liars, These Are Powers, and others (his current project, Casc, has been written about by Vulture). Costello had gone to see his band play live a few times, but it was his presence shopping at Beacon’s that made them get to know each other.

And so, paying homage to their history, the two have opened a vintage store that shares their story and everything that tugs at their heartstrings. Noecker curates the records and the menswear, while Costello—who is also a composition and literature professor at CUNY—handles the books and womenswear. “That being said, everything we do is a collaborative effort,” she says.

The store operates in the business improvement district of Ridgewood, in the 71st Avenue plaza just off of Myrtle Avenue, where Costello and Noecker would often wander on walks from their Bushwick home. They would frequent their friend’s nearby bar, and fell in love with the space. “The area was just so warm,” she says.

The result is a mish-mash of everything: ceramics, work from three local artists, soaps, coffee table books, plants, and anything else that makes somebody feel something.

Feels is located at 59-17 71st Avenue in Ridgewood; it’s open 11am to 7pm on weekdays (closed Mondays) and until 9pm on weekends.

A Chinatown Church Carries the Flame For a Forgotten Greek Community

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This week, we continue our series of deep dives into the histories of storied addresses.

Greek Orthodox worshippers gathered on Dec. 3 to hear Archbishop Demetrios of America speak for the Feast Day of Saint Barbara at the eponymous St. Barbara Greek Orthodox church. The church was named for a martyr whose faith was seen to be unparalleled. Saint Barbara is said to have been tortured through the night for her Christian beliefs, and to honor this the visitors and parishioners at Saint Barbara Greek Orthodox church chanted in unison until the candles lit by the idols at the doors of the sanctuary had all burnt out and the sun cast its first wan fingers of light against the window panes.

The Archbishop’s unusual visit created a rare spike in attendance; six local bishops came from the outer boroughs for the back-to-back liturgy services. It is one of the few remaining busy days for the church with the unassuming limestone facade and discreet black plaque in the shadow of the Manhattan Bridge. The church does not often get visitors by chance. Its peculiar location at 27 Forsyth Street makes it easy to miss. All the signs on the neighboring shops are in Chinese.

Little surprise, then, that to step inside the church is to enter another world. The stained glass windows, installed some decades ago, are nearly invisible from the outside, but indoors throw multi-colored light onto the stretches of floor between the pews. The ceiling is high and ornate with gold-trimmed pillars extending on either side of the space. A set of three-tiered chandeliers hang in a neat row down the center of the sanctuary, guiding the eye up to the altar. Half a dozen larger-than-life-sized paintings of saints and martyrs seem to bear down in judgment from the front of the church, the highest of them all, Jesus Christ, staring out from his heavenly perch almost touching the ceiling on the far wall.

Upon closer inspection, despite the giant Jesus painted above the altar, the space is somewhat unusual for a Greek Orthodox church. Though less grand from the outside, its shape mirrors the historic Eldridge Street Synagogue one street over. St. Barbara has two levels with stairs on either side and a partition separates the upper section from the lower.

The structural anomalies of this Romanesque sanctuary hint at one conclusion: St. Barbara’s parish was not the first to build here.

Plan of the city of New York in North America: surveyed in the years 1766 & 1767 (New York Public Library).

The history of the building that houses this Greek Orthodox congregation is another page in the story of the Lower East Side as an ever-changing immigrant-rich cultural hub, a visible holdover of its many incarnations, from its days as “Little Germany” in the mid-19th century, as a Jewish ghetto beginning in the late 19th century, and as the lesser known safe haven of immigrants from Greece in the early 20th century.

What is today 27 Forsyth Street was once a small part of farmlands that belonged to James De Lancey in the late 17th and early 18th centuries. James De Lancey was the son of Lieutenant Governor James De Lancey. His family was well known to be loyal to the British crown; his uncle and brothers had fought in the British army. They were a vastly powerful, political, and wealthy family. Before the American Revolution, De Lancey had plans to build a square. But his land was resold under the “Act for the speedy sale of confiscated and forfeited estates” passed by the Legislature of New York on May 12, 1784. Isaac Stoutenburgh and Phillip Van Cortlandt, Commissioners of Forfeiture, sold it in lots for a total of over 234,000 dollars, a present day value of $63 million.

On October 6, 1785, Michael Varian, at age 47, a butcher like his father, Isaac, bought the lot at 27 Forsyth. City records do not indicate whether he lived or worked on the land, or if he leased it to others, but the Book of Varian, the genealogical journal of a family descendant, indicates that Michael Varian was a major landowner. (Varian’s grandnephew, Isaac Varian, was New York City’s 63rd mayor from 1839 to 1940.) Michael died in 1825 at 74 Forsyth street, not far from his properties.  

“From the Old to the New World” – Library of Congress (1874).

For about 30 years after Varian’s death, 27 Forsyth Street (what was then 20-22 Forsyth) stayed in the Varian family. In 1857, it was sold to George Breit. Breit — misspelled Bride on his ship’s passenger list — arrived on the F J Wichlinghausen at the port of New York on January 5, 1854. Breit was a joiner, a type of wood artisan, from Prussia, which was part of Germany at the time.

Perhaps he was fleeing the political upheaval following the European Revolutions of 1848 or the fallout from the Three Years War (1848 – 1851) between Denmark and the German Confederation. Or maybe he’d been lured, like many before him, by the promise of economic opportunity in “The New World.”  He worked as an undertaker in New York, and lived at Forsyth with his wife, Elizabeth.

Although there had been early German settlers in New York and Philadelphia, beginning in the 1840s, large waves of German emigrants, along with other Europeans, made their way to the United States. Evidence of German enclaves can be seen in the early census data of upstate New York and Manhattan. The German charitable society existed alongside the French, English, and early Hebrew societies.

It was in 1850 that US census-takers first asked about birthplace, and by then, 583,774 people reported that they had been born in Germany. They represented 2.5 percent of the overall reported population and a large number of them lived in and passed through New York. At the time, New York was the most populated state in the country, with about 3.1 million people. Other census data shows that New York City, with just over half a million residents, was by far the most densely populated city in the country.

The earliest statistical atlas, published in 1874, shows that by 1870, Germans had a significant presence in the United States, enough so that their numbers were measured in absolute terms and in proportion to the broader native and foreign-born population. By 1880, there were about 160,000 Germans in Manhattan alone. The maps show that Lower Manhattan had one of the largest German-born communities in the country, hence the moniker Kleindeutschland, or “Little Germany.”

Breit fit in well in Little Germany and lived at the Forsyth Street property for 31 years, before selling it to Mina Kroos in January 1888. Kroos flipped it within months, and sold it in March of the same year to two bachelors who appear to have lived quiet lives: Hyman Bimstein, who was in the clothing business, and Simon Friedman, a teacher. Their names suggest either Germanic or Polish Jewish origin. German Jews fit in fairly well to Kleindeutschland culture, being nearly indistinguishable from other Germans. But Bimstein and Friedman only stayed at Forsyth street for three years. They sold the property at about the time Eastern European Jews began to fill the tenement houses in the Lower East Side.

Jewish Ghetto, c1900 (Library of Congress).

On April 30, 1881, the New York Times reported anti-Jewish riots in Europe as “a popular movement against the Jews has broken out at Argenau, West Prussia.” In Berlin “a mob led by a school-teacher wrecked the houses of some Jews and maltreated the inmates.” From St. Petersburg, the Times reported “serious disturbances” in Elizbethgrad, where a mob destroyed the synagogue.

This was the start of the brutal anti-Semitic pogroms in imperial Russia (which encompassed Russia and much of present-day Eastern Europe) that continued throughout the late 19th and early 20th century. They weren’t officially state-sanctioned, but the police often looked the other way when riots broke out.

Hundreds of Jews were murdered and many of the women were raped. Their houses and synagogues were destroyed. In a few cases, such as the pogroms in September 1903, the police and Russian military openly sided with the rioters by protecting them, and beating or arresting Jews who tried to fight back. While there were some orders from higher officials to protect the Jewish people, these were often not carried out to plan on the ground.

The Russian pogroms of the 1880s and early 1900s were a massive push factor for emigration to the United States. And what better place to settle than an area that had some Jewish population, and would provide opportunities to make money and support a family. At the turn of the century, New York was already the place to be.

A Scene in the Ghetto, c1902 (Library of Congress)

The 1890 statistical atlas reported New York was the wealthiest of all the states, with a valuation nearly one-eighth that of the entire country. By then, Jews made up anywhere from 1 to 5 percent of religious groups in the state of New York. The majority of what the atlas calls Slavs, people born in Russia, Poland, Hungary, and Bohemia (present-day Czech Republic), were in New York. Although the work opportunities weren’t glamorous — most Slavs were tailors, others were miners, cigar makers, and tobacco workers — they made enough to earn a meager living.

Bimstein and Friedman ended up selling their property to Louis Goodman in September 1891, who, a short five months later, on Feb. 4, 1892, sold it to Congregation Kol Israel Anschi Poland. This was a group of Polish Orthodox Jews who’d been in New York for over a decade and had outgrown their previous space. They set about building a synagogue at 20-22 Forsyth Street for their ever-growing Lower East Side community.

Congregation Kol Israel took time to build their synagogue with care. The design was drawn up by Herter & Schneider, well known for building both tenement houses and other synagogues. The church was built with limestone, hard burnt brick, and sharp sand mortar. The Kol Israel requested plumbing work, invested in four lamps out front and a vault beneath the synagogue.

Kol Israel, being an Orthodox Jewish community, required men and women to sit separately. This accounts for the partition, or mechitza, between the upper and lower levels of the synagogue; women would sit above and the men below. Though unused now, the Kol Israel built an ark to house the Torah at the back end of the synagogue. The space they built for their cantor, a singer who leads the congregation in prayer, is still used by the Greek Orthodox today. They also installed a resplendent rose stained glass window at the front of the synagogue, which was later removed in 1997 by St. Barbara’s parishioners. In total it was estimated to have cost $100,000 to build.

The synagogue was dedicated on September 19, 1892 and its keys were handed over to the then president Annie Morris under the charge of Rabbi Jacob Joseph.

The Jewish presence in the Lower East Side was felt keenly by their non-Jewish neighbors who reported on the community like early anthropologists, peering at them through narrow lenses as strange, unfamiliar beings. The Jews were seen as changing an area of the city that was once picturesque and, in some ephemeral way, utterly American.

Postcard of the Tenements in LES (Blavatnik Archive Foundation)

In 1896, a writer for the New York Journal noted, in an article headlined “New Colonies in Our Big Town,” how many “respectable old Germans” had “joined the great march uptown and left the field to the Russian and Polish Jews, who have their own peculiar places of entertainment and refreshment.”

Though not as persecuted as they had been in Europe, Jews were still looked down upon. In August of 1896, the Journal reported on the plight of the neighborhood’s Polish tailors. “An idle Polish Jew sits and broods and tears his beard because his little ones are hungry,” the article read. “He does not, like men of a less downtrodden nationality, go out and see what he can do to remedy matters.”

During Kol Israel’s time on Forsyth Street, it was both a sacred space to worship and a place for the community to gather. They hosted weddings, funerals, and later, a Hebrew school. Due to financial trouble, after 34 years of service, the synagogue was forced to foreclose in February 1926. Liberty Place Holding Corporation bought the deed at an auction for $46,000. It was thought, at the time, that the community might shore up their coffers and attempt to buy back the synagogue. But it ultimately sold to a Greek man named Dorotheos Bourazanis in that same year.

Economic instability brought Greeks to the United States to live, starting in the early 1900s. In the first few years, a few thousand migrants arrived, almost entirely men who left to find work and provide for the families they left behind until they’d made enough to return to Greece.

New York Greeks Going Home (Library of Congress)

It was in the lead-up to the First Balkan War (1912 – 1913) that Greeks began to emigrate en masse. Some left the United States to fight in that war, but many abandoned post-war Greece and returned to New York. The US Census in 1910 counted the Greek foreign born population at around 101,000.

Throughout World War I and its devastation in Europe, many more Greeks would cross the ocean for a better life. In 1915, newspapers like the Chicago Herald and the New York Evening Telegram began to publish stories about Greek immigration. People also started talking about immigration as a political problem that would come with the end of the war. Anti-immigrant sentiment grew as a fear that immigrants were a burden on the society took hold.

In December 1915, Edward Goldbeck of the Chicago Tribune called immigrants “more or less economically dependent” and “politically more or less immature.”

Towards the end of the war, pieces about the “Americanization” of immigrants appeared alongside pleas and challenges to the US government to intervene and put an end to the oppression that Greeks were facing at the hand of the Ottoman Empire. Now that the United States had abandoned its stance of non-interference, and after Greece’s support of the Allied powers in the Great War, some thought it was America’s responsibility to fight on their behalf.

The Greco-Turkish war from 1919 to 1922 meant that Greeks kept migrating in a steady stream; the foreign-born population of Greeks in the United States rose to about 175,000 by 1920.

Greek Immigrants Embarking, c 1910 (Library of Congress)

It’s not clear from the available records which Dorotheos Bourazanis bought the abandoned synagogue from where he had immigrated, but present-day parishioners of St. Barbara say the church was founded in 1926. It seems likely that Bourazanis was affiliated with the congregation. The membership struggled to come up with the money to buy the building outright. In fact, shortly after buying it in 1926, they too went into foreclosure in 1932.

Many went door to door to solicit funds from Lower East Side neighbors. It took another two years for Saint Barbara to buy the synagogue back from the Lawyers Trust Company, and open its doors as a functioning church. The deed was officially signed in 1934.

It was in the 1960s that Greeks began to migrate out of the Lower East Side. The borders of early Chinatown, a small Cantonese enclave and tourist area in the Lower East Side, had remained firmly fixed for nearly 80 years because of the Chinese Exclusion Act of 1882. It was approximately eight blocks bounded by Canal Street on the north, Bowery on the east, Baxter Street on the west, and Worth Street on the south.

27 Forsyth Street, 1930 (New York Public Library)

It was in the 1960s that Greeks began to migrate out of the Lower East Side. The borders of early Chinatown, a small Cantonese enclave and tourist area in the Lower East Side, had remained firmly fixed for nearly 80 years because of the Chinese Exclusion Act of 1882. It was approximately eight blocks bounded by Canal Street on the north, Bowery on the east, Baxter Street on the west, and Worth Street on the south.

But in 1965, the passing of the Immigration and Nationality Act granted Chinese citizens and immigrants full rights to property ownership and business establishment. Chinatown began to expand again.

Much like the Jews before them, and the Germans before them, the last of the Greek community that had grown up in the Lower East side left as they saw the area begin to change. They built new churches, restaurants, and coffee shops in places like Astoria, Queens. They built vibrant communities in the outer boroughs and much of their history on the Lower East side was lost because, unlike with the Jews and the Germans, they left few architectural marks.

Forsyth Street, 1934: NYPL

Now, 84 years after St. Barbara opened its doors, the neighborhood has changed dramatically. Where once there were Jewish tailor shops and Greek cafes there are bubble tea shops and nail salons. The church now sits next to GC Egg Rolls House and the Fuzhou Senior Entertainment Center. Once parishioners could walk a few blocks from their homes to the church steps but now they often commute from the outer boroughs.

There are a few youths scattered among the churchgoers now, but St. Barbara’s parish is small, and largely made up of elderly Greeks that have attended the church since their childhoods over 60 years ago. Some have their families bring them and some make their own way with city transportation, via Project CART.

This time of year, St. Barbara’s Feast day, is the only time that the church sees the Greek community come back to fill its pews. Third and fourth generation Greek Americans return to the church where their forebears once worshipped, taking time off of work to pop into the nonstop services and cross themselves in honor of the martyr.

Nonetheless, the church’s core congregation is steadfast. On a recent Sunday before the feast day they gathered at 10:30am for Divine Liturgy and invited everyone to stay for coffee hour afterwards. They serve it hot and fresh, and pair it with a fist sized brick of homemade baklava that flakes on the fork and swims in its syrup. The community visibly thrives, however reduced in size.

On Forsyth Street, St. Barbara is a last-standing artifact, a stalwart stone tower in the changing sea of the Lower East Side that serves as a testament to New York’s unique immigration history. It tells the stories of all of the people who came before it, and will, hopefully, continue to surprise anyone who happens to question why there’s a Greek Orthodox church (that was a Jewish Orthodox synagogue) in the middle of Chinatown.

An East Williamsburg Church Has Been Home to Germans, Latinos, and Now Uncertainty

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This week, we continue our series of deep dives into the histories of storied addresses.

Rev. Rafael Perez leads a prayer at the St. Nicholas Roman Catholic Church on Dec. 9, 2018.

On a recent Sunday, right after Spanish-language services, an eight-piece mariachi band streamed into the St. Nicholas Catholic Church in East Williamsburg. Guitars and trumpets blended together in a musical homage to the Virgin of Guadalupe, a venerated figure who symbolizes devotion throughout the Latino community. Just below in the main hall, a feast was on the tables and flowers, flags and banners surrounded the virgin’s likeness.

At St. Nicholas, East Williamsburg’s changing demographics have prompted more focus on Spanish language services and cultural tributes. In fact, in September, the church did away with its English-language Sunday mass, as fewer people were coming to hear the word of God. Data from the New York City Department of City Planning indicates that nearly 24 percent of Community District 1—incorporating much of Williamsburg, and parts of East Williamsburg and Greenpoint bordering the East River—are foreign born. Latinos make up the largest portion of the population among its 173,000 residents.

That Sunday, sunlight flooded the church through its vividly colored stained-glass windows, which number over a dozen. One depicts the birth of Jesus and another shows him preaching to his disciples as a young man. But bring yourself closer and the names memorialized on the windows, such as Regina Schmitt’s, come into clearer view. She arrived in the United States in 1846 from Germany at the age of three, and later married Jacob Schmitt in 1869. Another couple memorialized on another stained-glass window named Anna and Matthias Paulus also emigrated from Germany, the 1910 US census shows. The Schmitts and the Pauluses belonged to the original German community at St. Nicholas over 150 years ago.

A stained glass window memorializes Regina and Jacob Schmitt, 19th century immigrants from Germany.

The once-German church stands at the juncture of Greenpoint and East Williamsburg, emblematic of the change that has characterized New York City through the successive waves of worshippers that have occupied its pews   their distinct languages and cultures changing with the passing of time and reshaping the fabric of the community.

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The church’s roots can be found in the violent conflicts overseas that defined the 19th century. It was further propelled by the 1848 revolutions across the continent that  fueled the exodus of over a million Germans to the United States. Many of them settled in New York, transforming the city’s demographic makeup. By 1855, New York had the third largest population of Germans in the world, outranked only by Berlin and Vienna. More than 800,000 Germans passed through or settled on the Lower East Side, establishing vibrant Kleindeutschland, or “Little Germany,” and making German the second most-spoken language in New York City. Stores in Little Germany had German signs, beer halls were abundant as were schools where children could learn and speak their parents’ native tongue. Within what was then the Irish-dominated Catholic church, German-Americans Catholics clung fast to their homeland traditions.

In the decade that followed, second-generation German Americans began to populate what is modern East Williamsburg, another foothold for the community on the northern bank of the East River. The neighborhood soon flourished with German craftsmen, bakers, wood workers and shop owners. Williamsburgh dropped its final “h”that distinguished it in Dutch pronunciations.

Along with businesses, the German-Americans brought their churches to Williamsburg, including St. Nicholas, which was founded in 1866 by 39-year-old Rev. Michael May. The formidable pastor in the area before May was the Austrian-born Rev. Johann Stephen Raffeiner, a master fundraiser, pivotal in building the German Catholic communities of both Brooklyn and Manhattan, the local diocese history notes. The Bavarian-born May was Raffeiner’s pupil until his death in 1861. May was known for his youthful vigor, having collected $939 in the fall of 1859 — or $28,609 in today’s dollars —  for a set of bells that weighed over 2,800 pounds. May’s effort, however, was a humbler undertaking at first. When St. Nicholas opened, it had only one multipurpose structure that functioned as a church, rectory, convent and school, all on its rectangular plot.

The building now at Olive and Devoe Street opened in 1886 and was designed by the architect William Shickel. A devout Roman Catholic, his life epitomizes the successful life of German immigrant of the era — one eager to leave an imprint on his adopted land.

Shickel arrived in the United States at the age of 20 in 1870. Fifteen years later, he started William Schickel and Company, an architectural concern prominent for its ties to well-heeled German-American families in the city and to the Roman Catholic Church. He was known for infusing his church designs with a Bavarian influence. Some of his churches look like “Gothic barns” for their elongated length and Medieval style. St. Nicholas has a similar architectural character, although its red brick exterior facade is plain and austere. It’s not the only church in the neighborhood with Schickel’s influence: He designed the Most Holy Trinity Church on Montrose Avenue, only a 15-minute walk from St. Nicholas, and the German-Baroque edifice for the St. Ignatius of Loyola Church on the Upper East Side, which is now listed in the National Register of Historic Places.

St. Nicholas was also the site of the funeral of Barbara Reig, a young woman who a police officer killed in 1908. The case drew headlines across New York City. Furious at her death, huge crowds gathered during the services to demonstrate against the police department. The New York Times reported on the unrest, noting “the crowd jeered and hooted at the policemen and yelled many vile names at them. It seemed a test for the discipline of the officers whose anger was apparent, but made no reply.”

The local Standard Union newspaper also chronicled the turmoil: “As the casket containing the remains was carried…  a number of women who had gathered in the street in front of the house, and as many snore from windows of nearby houses shouted at the police guard, ‘There go the dirty ‘cops,’ the beasts!’” The newspaper pointed out that more than two-thirds of the crowd of 3,000 were women.

Better times lay ahead for the church. In May 1916, St. Nicholas had a boisterous parade for its 50th anniversary to pay tribute to its vibrant role in the community. With cadets, fifes, drums, and 2,500 men and women marching through “all the thoroughfares of the parish, the church celebrated its half-centennial with a parade through “all the thoroughfares of the parish,” reported the Brooklyn Daily Eagle.

Yet it was only a brief reprieve in a period of growing suspicion of the country’s German-American community during World War I, a conflict sparked by imperial rivalries. As Europe plunged into war, many German-Americans like George Sylvester Stiereck advocated neutrality and were perceived to be enemy agents by the federal government.

However, that started to change after April of 1917, when the United States entered the war on the Allied side, provoked by Germany’s sinking of the British steamship Lusitania, killing 128 Americans. It precipitated an outpouring of support from the city’s German-American community and a race to demonstrate loyalty to the U.S. government. Sauerkraut became “liberty cabbage,” hamburgers were turned into “liberty sandwiches.” In Brooklyn, it led to the disbanding of the neighborhood German-American Alliance organization, with its membership of 12,000 people.

“The German-American alliance here is a thing of the past,” said Henry Weissman, the organization’s leader. “It has not been charged with disloyalty,” the New York Times quoted Weissman as saying. “We bear it no grudge but accept the situation in the spirit of brotherhood and with the resolve to preserve our unity as a nation and our internal harmony at whatever cost.” The alliance further acknowledged the American public’s “tension as to all things German,” swore allegiance to the United States and counseled German-Americans in New York to avoid being part of similar organizations while war raged in Europe.

The Daily Standard Union, Jan. 19, 1918.

The church continued to serve as a religious anchor for the growing Williamsburg community, though sometimes it encouraged the spread of racial stereotypes characteristic of early 20th-century America. One 1918 advertisement in the Standard Union newspaper’s “social world” section highlighted an upcoming minstrel show, blackface and all, organized by the St. Aloysius Young Men’s Society, whose director, the Rev. John Mathais and his committee were “working very enthusiastically and a good programme is assured.” the advertisement read.

The demographic character of Williamsburg continued changing. The 1930s saw an influx of European Jews fleeing Nazism and establishing a Hasidic enclave of their own. Public housing projects were springing up throughout the neighborhood, replacing buildings in decay.

In 1948, the church’s plot of land came under the ownership of Josephine Grazys, a woman who was at the center of a federal bail profit investigation only two decades prior.  Yet that troubling aspect is contrasted with Rev. Adolph Erhard, a St. Nicholas church reverend who suffered a fractured leg while “comforting victims of a three-alarm fire,” reported the New York Post in April 1958. Some 28 families were left homeless, but nuns of the St. Nicholas parochial school provided food and gave emergency shelter, the Post said.

Greenpoint Weekly Star, Nov. 20, 1959.

In the 1970s, Manhattan fell into a period of urban blight and crime. (It drew jokes from comedians like Johnny Carson: “New York is an exciting town where something is happening all the time—most, unsolved.”). Brooklyn was in no better shape. Williamsburg suffered similar ills that had twists with its own deadly public consequences. In 1974, a fire destroyed a row of buildings on Powers Street, leaving 18 families homeless. Officials blamed a gas leak.

It was about this time that a blend of Hispanic and Italian congregants from St. Nicholas established the St. Nicholas Neighborhood Preservation Corporation, better known as St. Nicks. Under Monsignor Walter Vetro – the New York Times described him as a “silver-haired, pipe-smoking pastor”  – the organization set out to help turn around a neighborhood blighted by poverty and unemployment. Williamsburg’s woes reflected the broader trend in a city where unemployment hovered at around 10 percent in 1976, according to data from the New York State Department of Labor.

The same Times article heralded the church’s role spearheading the turnaround: “The dramatic changes in the blocks around St. Nicholas are testimony to how forcefully a church can work to improve its surrounding community.” It goes on to describe the pastor and parishioners’ efforts to transform a center for juvenile delinquents into housing for the elderly, among other achievements.

Now known as St. Nicks, it has since ballooned into a non-profit organization focused on economic development in  Williamsburg and Greenpoint.

A man adds a fresh layer of paint at St. Nicholas.

In January 2011, three parishes merged: St. Cecilia, St. Nicholas and St. Paola.  Vassalotti’s arrival in the parish coincided with the merger. A raft of administrative and financial problems led Brooklyn Bishop Nicholas Dimarzio to consolidate the number of parishes to reflect the changing needs and habits of the local Catholic community. At the time, the Brooklyn Diocese itself — which oversaw 187 parishes throughout Brooklyn and Queens — was $21 million in debt.

“People were angry about the merger and people protested that it shouldn’t take place,” said Rev. Tom Vassalotti. But he backed the move since he said it ultimately didn’t lead to the closing of churches in the area.

Despite the 2011 merger, the church is still fighting shrinking attendance, said Rev. Rafael Perez, another priest who conducts mass there several times a month.  Gentrification is another factor that is weighing on the church community.

“Gentrification has been happening here for the last 15 years and there’s no signs its slowing down. In fact, it’s picking up speeds in certain areas,” said Perez as we sat in the main hall. After speaking with every congregant, he left the church feeling fulfilled. Just outside, the church’s classroom building was being repainted, a fresh layer to weather the uncertain elements ahead.

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