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NYC’s Empty Newspaper Boxes Are Being Turned Into Woke Lending Libraries

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(Photos courtesy of New York Mini Libraries)

On your way to the polls, grab a leftist polemic or a dystopic novel from the guerrilla mini-libraries that started popping up in old newspaper boxes around Manhattan yesterday.

“Books are weapons in the war of ideas,” a sticker on the newsrack-turned-mini-library on the corner of Reade Street and Centre Street reads, paraphrasing a Franklin D. Roosevelt quote. “Arm yourself.”

Titles include Fahrenheit 451, the US Constitution, 1984, the first Hunger Games book, and Fire and Fury, Michael Wolff’s book about the Trump White House.

Signs on the libraries encourage people to take a book and return it, and that “honor system rules apply.”

There are currently eight mini-libraries, and some are in politically significant locations, like the courthouse on Foley Square in response to the Kavanaugh hearings, and on Wall Street, to recall the financial crisis.

The creators of the mini-libraries, who asked to remain anonymous because of the project’s uncertain legal standing, both work in advertising. They previously created “New York City Walmart,” in which they put frames around existing street art and “sold” the art for charity.

One of the creators said the project’s intentions are embodied by the Roosevelt quote used to inspire Americans to help fight fascism. Next week marks the 100th anniversary of Armistice Day ending World War II.

“Hopefully it’ll just be another reminder and a thing on the street to encourage people to remember what the worst case scenarios are,” he said.

“Stay educated and remember that what’s happening is happening.”

The creators say they’ve collected more than 500 books for project, and plan to continue launching new mini-libraries around the city.


‘Democracy Dies in Dampness’: Massive Lines, Broken Scanners, Epic Waits to Vote in Soggy NYC

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(Photo via @dagesjuvelierkeates on Instagram)

If you thought the line for a last-minute Halloween costume was as bad as it got, you may have learned otherwise when you headed to the polls this morning. As if the soggy weather wasn’t bad enough, New Yorkers reported downed scanners and waits of up to four hours. (Gonna need those free drinks!) Even Mayor de Blasio had to wait in line; he emerged from his Brooklyn polling location calling for voting reform and saying “NYC deserves so much better.” The state Attorney General’s office announced that as of 3:30pm, it had received roughly 100 complaints about New York City poll sites with broken scanners. Here’s a look at this morning’s carnage in the B+B area.

At St. Cecilia’s church in Greenpoint, voters reported waits of over three hours, as three of four scanners were said to be down.

At one point, people started doing the Wave. (The “Blue Wave”?)

The wait was reportedly over two hours long at 80 Dupont Street in Greenpoint, where just one machine was said to be working.

At the Pete Mcguinness Senior Center in Greenpoint, scanners reportedly overheated; one voter said there were three scanners down and a wait of over two hours.

 

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Longest voting lines I’ve seen since moving to nyc, including the presidential race #vote #BlueWave #midterms

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At John Ericsson Middle School 126, near the Williamsburg-Greenpoint border, there was a two-hour wait as four out of five scanners were reportedly down.

 

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Am I in line to #vote or for a ride at #disneyland ??

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Line to #vote in the pouring rain.

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At Theater for the New City in the East Village, the “gloriously long” line went “out the door and to the corner.” The line had pretty much disappeared by the time we checked in around 2pm.

 

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Democracy. No Filter.

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One East Villager encountered problems at JASA’s Evelyn & Louis Green Residence at Cooper Square.

In Williamsburg, the voting experience was “rainy, crowded and totally worth it.”

 

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Rainy, crowded & totally worth it. #govote

A post shared by Taiyo ☀️ 太陽 (@ithrewthison) on

 

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Never more excited to see a line!

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GO VOTE. You may even come across a sweet, illogically-placed, wooden backboard hoop during the wait

A post shared by Patrick Crouch (@patcrouch30) on

The lines at the Polish & Slavic Culture Center in Greenpoint stretched down the block. One voter there wrote, “I’ve been voting at this polling place for four years and have never seen a line before. And, yet, this morning this.”

 

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#thisiswhatdemocracylookslike #vote

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Some New Yorkers got lucky, or waited till later in the day, and got “in and out fairly quickly.”

Naturally, local politicians sounded off.

Speaking to a reporter, the executive director of the NYC Board of Elections blamed high turnout and wet clothing and ballots, causing one Twitter user to quip, “Democracy Dies in Dampness.”

Popping Into the Whitney’s Andy Warhol Retrospective, Opening Monday

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(Photos by Jess Rohan unless noted)

Andy Warhol once called New York the best place in the world, and Warhol was the patron saint of the alternative East Village culture that today’s NYU students both mourn and gradually cannibalize. Head to the Whitney Museum of American Art next week to pay homage to the artist who pioneered loving stuff ironically, from selfies and celebs to fake news.

“Andy Warhol– From A to B and Back Again,” the biggest Warhol retrospective since the decade he died, opens at the Whitney on Monday, Nov. 12. It’s curated by Donna De Salvo, one of the few remaining curators to have worked directly with Warhol.

The exhibition unfolds over three floors. An entire room is dedicated to his portrait commissions–including Aretha Franklin and Liza Minnelli–and another room is covered in his “Cow Wallpaper,” with his “Flowers” paintings displayed over it, as Warhol had wanted. There’s a wall of video viewers for the artist’s films; on one wall is Danish filmmaker Jorgen Leth’s video of Warhol eating a hamburger.

The exhibition is designed with an eye towards Warhol’s continued relevance today, and you’ll notice his eerie prescience even without the museum’s pamphlet. There’s “Mustard Race Riot,” a huge piece that reproduces photographs of white cops assaulting black civil rights demonstrators in Alabama. A work Warhol designed for the 1972 presidential race, of a leering Richard Nixon with the caption “Vote McGovern,” has startling parallels with current depictions of our tangerine-tinged head of state. “Before and After” is a cartoon print of a nose job ad, and a New York Post cover Warhol made with Keith Haring depicts a Madonna scandal with the subtitle “Rock star shrugs off nudie pix furor.” Warhol’s themes of “power and conformity,” especially, are deeply relevant today, said the curator, de Salvo, at today’s press preview.

Warhol’s stuff was famously made to sell, but even with that, the gift shop is awesome–there are skateboard decks with Warhol’s patterns, a book of exactly 192 one-dollar bills (which costs $384), and condoms printed with the artist’s quote “After being alive, the next hardest work is having sex.”

The exhibition highlights not just Warhol’s uncanny distillation of the American essence, but how he arrived there; for one thing, his job as a commercial illustrator gave the artist insight into the power of reproduction decades before camera phones and screenshots brought memes to the masses. And in 2018– when pop culture, politics and life itself seem poised to reach the great Singularity– it’s delightful to see the work of someone who took pop culture seriously at a time when myopic mainstream culture still treated it as secondary.

Weekend Art Openings: African Masks, Tiny Sculptures, and The Apocalypse

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(image courtesy of Salon 94 Bowery)

Flash of the Spirit
Opening Friday, November 9 at Salon Bowery 94, 6 pm to 8 pm. On view through December 21.

Lyle Ashton Harris’s photos, on view at Salon 94 Bowery starting this Friday, contain much colorful, vivid imagery, but few human faces. Instead, the faces in the bodies he captures are covered by elaborate, striking masks sourced from a variety of places, including several African masks from his uncle’s collection. These images are actually self-portraits, but you might not know it. And that’s kind of the point: throughout history, people putting on masks has been equated with them transforming into someone (or something) else, whether that be an improved version of oneself or a way to avoid accountability. Harris has been making work dealing with queerness, Blackness, and the self in the context of diaspora for decades, and this is a chance to see what he’s up to now.

(image courtesy of Lubov)

Toy Temple Human Monk
Opening Saturday, November 10 at Lubov, 6 pm to 9 pm. On view through January 6.

This show at Chinatown/Tribeca space Lubov is actually the first exhibition ever for its two artists, Chiara Ibrah and Daffy Scanlan (who also makes music under the name Drumloop). Rather than start with anything easy or frivolous, they’re cutting right to the serious core: the artists share common ground due to their unrelenting dreams of violent apocalypse. Fire, starvation, mysterious disappearances, the whole lot. When such topics plague one’s subconscious, it’s understandable to try and make sense of it all by way of creation. A description for the show notes visitors will have to “drag themself upon hands and knees through the metallic carnage that drapes the gallery space,” and it’s unclear how literal to take this proclamation. But doesn’t the idea of some actual danger in a fine art gallery make you feel kind of excited?

(image via Luxembourg and Dayan)

Intimate Immensity: Alberto Giacometti Sculptures, 1935-1945
Opening Sunday, November 11 at Luxembourg and Dayan, 5 pm to 7 pm. On view through December 15.

Yes, Luxembourg and Dayan is on East 77th Street, but sometimes you find yourself uptown and you want something to do. If you’re around there Sunday afternoon, you can stroll over to see a new exhibition of small-scale work from Swiss artist Alberto Giacometti created during World War II in the earlier stage of his career, before his creations and acclaim grew larger—he later received the Venice Biennale grand prize for sculpture. Giacometti’s humanoid sculptures on view here are barely three inches tall. Contemporary artist Urs Fischer’s surveillance-centric exhibit is also still up, so you can come for one show and stay for the other.

Twitter Says ‘Thank U, Next’ to These NYC Annoyances

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This weekend pop star Ariana Grande released a track thanking all of her exes for the impact they’ve left on her, ultimately saying she’s better off alone, which, true.

The lyrics “One taught me love / One taught me patience / One taught me pain” struck a chord with everyone in the world, including those special people that inhabit Twitter. The memes started popping up almost immediately, highlighting fast food chains and boy band members who have taught love, patience and pain.

Lucky for us, there are some goodies about our beloved city.

Broadway shows aren’t always entertainment

Yes, Dear Evan Hansen emotionally wrecked every single person on the island of Manhattan, even if they have never heard of the musical or of Ben Platt, but the true pain came from the Heathers musical — we’re not sure if it was more emotional or physical.

The New York evolution of space

Are these photos from NYC? Unsure. But the dorm is basically the size of the mid-20s apartment room shown, so we’re aggregating. There’s nothing more painful than bringing someone home back to a room big enough for only children under 5 ft.

Pizza by the price

Sometimes you only have a dollar to spare on meat, bread and cheese, which is $2 less than a hot dog costs at a street cart, so 2 Bros. 99 cent pizza saves your life. Pain is gain.

Commuting


RIP to the L, we will miss being packed like sardines for the year and a half you’re gone.

OK fine, one more MTA diss

Peace of mind solely depends on the method of transportation you take.

Do you have more “thank u, next” memes about NYC? Share them with us at @bedbow

‘Crown Prince of Hell’ Successfully Cursed Kim Davis, Now Spins Oprah Magick

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JJ Brine. (Photo: Nicole Disser)

This past weekend, Bushwick occult store Catland put yet another hex on Brett Kavanaugh. If you’re wondering whether it’ll work, consider this: JJ Brine, founder of the “Official Art Gallery of Satan,” is taking credit for the defeat of Kim Davis, the Kentucky clerk who refused to marry same-sex couples.

Davis, who was briefly jailed in 2015 after defying a court order to issue same-sex marriage licenses, lost her reelection bid yesterday after her Democratic challenger got 54.1 percent of the vote. That caused JJ Brine, the self-declared “crown prince of hell,” to tweet “IT WORKED BITCHES!”

 

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& IT WORKED BITCHES #kimdavis @broadly #vectorgallery

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Brine and other artists and performers got together to curse Davis in September of 2015, after Brine had moved Vector Gallery from the Lower East Side to Los Angeles (it subsequently relocated to East Williamsburg). Broadly’s description of the event should give you some idea of how very strange Vector Gallery is, never mind its altars to Charlie Manson and Condoleezza Rice:

Throughout the night, a woman named Liat sang about the Holocaust in Hebrew, another girl named Annelise asked guests to pull out tarot cards with quotes from her 14-year-old diary written on them, and the Girl Group walked around, cursing Davis with just their presence. At one point, Torie, the Minister of Synthetic Light, recited a poem about the power of femininity. These women’s prayers—whether they knew it or not, Brine said—cursed Davis.

(Photo: Nicole Disser)

It wasn’t surprising that Brine would target Davis. He’s gay, stylish, and satanic: everything Kim Davis most definitely is not. Then again, after launching as the “Official Art Gallery of Satan,” Vector morphed into the official art gallery of Jesus Christ. But not Kim Davis’s Jesus Christ, rest assured. Last year, Brine told V Magazine that, contrary to Broadly’s headline, he was not a cult leader and that he was more into the idea of Jesus as “an A.I. consciousness that we’re uploading into ourselves.” As for the Biblical Jesus, Brine considered him “a brilliantly sarcastic brat.”

In any case, Brine clearly has a knack for predicting the future, though it’s hard to pin him down. Last year, in a “Valentine to America,” he predicted that Kanye West would become president and usher in the apocalypse. By the looks of this posting from last week, he’s got a new 2020 favorite. “YES, THIS IMAGE IS A SPELL & IT SHALL WORK ITS MAGICK,” sayeth Brine.

I Walked Out of The Strategist’s Soho Pop-Up Feeling Like a Nashville Star

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(Photos: Summer Cartwright)

You know that feeling of entering a store and wanting to buy everything, but you can’t quite reason with yourself that you actually need anything in there? Imagine that feeling, but then realizing maybe you really do need every single thing you see.

That’s what it feels like to be in The Strategist’s holiday pop-up shop in Soho, which, lucky for you and unlucky for your bank account, is open through the end of December.

The New York magazine vertical that basically gives you advice on what to spend your money on is giving that advice IRL for a month as part of a marketing push — and holiday event — to get its readers off their laptops and into face masks.

The store features many brands not carried in normal places– like Scent Bird’s package of three perfumes, or Rich Bitch moisturizer– so it’s a good excuse to sample different things and buy something your roommates won’t have. Like Glossier’s storefront in Chinatown, there are a bunch of stations with face creams, moisturizers, zit patches, and other products to try. iPads allow you to click on The Strategist’s product reviews while you do so.

The cheapest thing inside is $5 (acne patches) and the most expensive good is around $250 (king-sized sheets), practically a steal in the city. There’s also one thing there for men, a Bro Mask. It’s a face mask for men. A Bro Mask.

Throughout its scheduled stint there will be pop-up businesses inside, like HairStory blowouts and stylings, and nail manicures. On opening night, there were even waiters in all black handing out the mini-est of weenies with the daintiest dollop of mustard atop.  

If you’re thinking to yourself, “I’m not a regular New Yorker, I’m a cool one who does my own hair and doesn’t pay for volume,” then I feel you. But what about free blowouts by stylists in Balenciaga ponchos, with medieval-symbol face tattoos?

Yes, the main attraction inside might be the hair-styling section, perhaps only because of Dustin Elliott, an East Village native with hands as strong as one’s will to make it to a seat in a train during rush hour. He took me into his chair with an open heart, seeing as my hair was in a bun and Damaged with a capital D like the Danity Kane song. (Have you heard they’re making a comeback?)

Elliott will be boosting egos at the store until Sunday, using HairStory products that he says don’t use any bad things that make your hair gross, they only use the good things that make your hair shiny. “Your scalp is an extension layer of your skin,” he said, letting me reflect upon this very obvious fact that has never once come to mind.

He also tells me the product he’s putting on my head will give my hair “a revolution.” I believe him, because the brand produces cleanser, not shampoo. Something a royal would use during the medieval times Elliott loves.

The blowouts are great because, again, they’re free. And they leave your hair feeling how I imagine Connie Britton’s feels.

The shop is located at 347 West Broadway and is open from 11 a.m. to 7 p.m.

Can These Celebrity-Designed Pistols Make a Dent in America’s Gun Problem?

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(Photo: Erica Commisso)

New York Rangers goalie Henrik Lundqvist designed his half of the gun with the Rangers’ jersey colors, his number 30 in red and white on the blue handle. On the barrel of the gun: The New York City skyline at sunset. Lundqvist’s twin brother, Joel, designed the other side of the Colt Python 357 Magnum revolver. He’s a hockey player too, in his native Sweden, so he also had his team colors painted on the gun’s handle.

(Courtesy of Non-Violence Art Project)

Their painted gun comes in three different sizes that retail for $550, $1,690 and $7,500. Each comes attached to an artist’s rendition of a hockey rink, with the knotted piece at the end of the barrel lining up perfectly with the end of the rink.

(Courtesy of Non-Violence Art Project)

The knot at the end of the gun sculpture is critical in understanding why the Lundqvist twins joined Paul McCartney, Yoko Ono, Ringo Starr and Muhammad Ali in painting these guns. The knots symbolically render bullets incapable of passing through the barrel and firing.

The knotted gun was created by Carl Fredrik Reuterswärd in memory of John Lennon’s December 1980 shooting, outside the Dakota. It was commissioned by Ono, Lennon’s partner, and installed outside the United Nations building in 1988. It became a monument of peace around the world, and became the official logo for the Non-Violence Art Project, which sells the guns designed by celebrities to raise money for the Non-Violence Project Foundation.

Last month, the work outside the United Nations was “re-unveiled” to commemorate both Gandhi’s birthday and the 30-year anniversary of the gun’s inception, and a new limited-edition piece was unveiled in its honor.

“The Knotted Gun image is, today, the world’s most well known symbol for peace and non-violence and highlights the objectives of the Foundation,” says Natalia Pryadka, the head of sales and e-commerce at the Non-Violence Art Project. “The Non-Violence Project Foundation’s mission is to create and deliver highly customised education to inspire, motivate and engage young people to understand how to solve conflicts peacefully.”

The NVPF uses the project’s gun sales in two major ways: to educate young people in areas like self-esteem, conflict management, communication and emotional intelligence, and to raise awareness for the message of non-violence, the movement, and the logo.

Jonny Johansson’s design, via @nvpfoundation on Instagram.

Recently, the project added two more ambassadors, in addition to the Lundqvist twins: Patrizia Gucci, the great great granddaughter of Gucci’s founder, is a designer and painter; Jonny Johansson is the creative director and co-founder of Acne Studios. “My thought with the design, Acne For Peace, is to reflect the world of color where I think that we all should feel at home,” Johansson said. “Because who wouldn’t stand behind Non-Violence? It should be a matter of course, but it is still something that has to be emphasized and therefore it was important for me to make the sculpture.”

The 38th anniversary of John Lennon’s murder is on December 8. Visitors to the Dakota and Central Park’s Strawberry Fields, where the “Imagine” mosaic is located, often reflect on how little things have changed since Lennon was gunned down. To date, over 6.5 million people have been affected by gun violence since 1990. On Thursday, 12 people died when a shooter opened fire in Thousand Oaks, California, marking the 307th mass shooting in the United States this year. Carl Fredrik Reuterswärd’s knotted gun reminds us that we still have a lot more work to do.


Performance Picks: Perspectives On Slave Galleries, Vengeful Burlesque, and More

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THURSDAY

(image via SUP Comedy / Facebook)

The ‘SUP Show
Thursday, November 8 at Caveat, 9 pm: $8 advance, $10 doors

Once again, this recurring comedic showcase of women, queer, and gender non-conforming performers comes to Caveat to give you the best bits n’ jokes found at their open mic of the same name, which recently moved to The Footlight Bar in Ridgewood. The whole affair is hosted by Juliet Prather, Maddie Fischer, Fareeha Khan, Jesse Roth, and Stephanie Pace, which I always find to be an impressive amount of hosts. The lineup for this particular shindig is TBD, but the fact that you’re going in not knowing the lineup, but still knowing it’s going to be free of racist white dudes complaining about how everyone is offended makes me feel a lot more confident recommending it.

FRIDAY

(image via Abrons Arts Center / Facebook)

Revision Suite
November 8 + 9 at St. Augustine’s Episcopal Church, 8 pm: $20

Did you know that churches used to have sections called “slave galleries,” where black churchgoers were made to go to worship, keeping them at a safe distance from the white people? Well, they did, and St. Augustine’s in the Lower East Side has kept theirs intact as a way of reckoning with its history rather than covering it up. This Thursday and Friday, the 185 year-old church will be playing host to a series of performances from dancers, electronic musicians, multimedia artists, and other creators directly referencing the slave galleries and the artists’s personal relationship with the architecture, racism, religion, and more.

SATURDAY

(image via Eris Evolution / Facebook)

We Are Legion: The Best Revenge
Saturday, November 10 at Eris Evolution, 7 pm: $20+

They say revenge is a dish best served cold, but in the case of this burlesque show at Eris Evolution on Saturday, it’s best served hot. The performers that host (and venue co-founder) Galatea Stone has gathered for this show have been through a lot—they’ve all suffered some form of abuse—but they’re strong survivors, and they’ll also look good taking their clothes off onstage. Though this show features abuse survivors, the acts on display are less about their traumas, and more about the fact that they prevailed, so don’t expect a downer of a night. Plus, all the money made at the door and through raffles will be donated to the New York State Coalition Against Sexual Assault.

SUNDAY

(image via Ground Floor Comedy / Facebook)

Desks: A Reading Series
Sunday, November 11 at The Corners, 8 pm: FREE

If you haven’t yet come to see Desks, a reading series spearheaded by the writers at Ground Floor Comedy where words of all sorts are spoken aloud at a Bed-Stuy bar, this Sunday will be your last chance to do so. Yes, doing shows all the time can get tiring, and hosts are people too, sometimes they need a break. Sunday’s show features readings by Carly Dashiell and Brendan Basham, and “micro-readings” by a slew of folks, including Bijan Stephen, Carrie Wittmer, Harris Mayersohn, Kelly Cooper, and Robyn Kanner. The show is free, but the bar is cash only, so bring those bills, bb.

Video: Thousands Protest Trump’s Firing of Sessions and Demand Protection For Russia Investigation

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Over 5,000 people raised hell in Union Square last night to protest the firing of Jeff Sessions and demand that Donald Trump’s new attorney general recuse himself from the Russia investigation.

An invite for the nationwide “Nobody Is Above the Law” rallies, which garnered over 21,000 RSVPs in New York, declared that “Donald Trump just crossed a red line, violating the independence of the investigation pursuing criminal charges in the Trump-Russia scandal and cover-up.” The #ProtectMueller rallies had been planned by Move On well before Sessions announced his resignation at Trump’s request on Wednesday, and were to be triggered by the crossing of certain “red lines,” such as the firing of Robert Mueller or of Deputy Attorney General Rod Rosenstein.

“The firing of Attorney General Jeff Sessions would be one step short of the break glass moment,” the organizers wrote before that became a reality on Wednesday. However, critics are voicing concern about new attorney general Matthew Whitaker’s previous statements about the Russia investigation and are demanding that he recuse himself. On CNN last year, Whitaker envisioned Trump reducing Mueller’s budget “so low that his investigation grinds to almost a halt.” As Intelligencer pointed out, he has supported the firing of James Comey and has said that any investigation of Trump Organization finances would indicate that Mueller’s investigation is “a mere witch hunt.” Others have said that Whitaker’s appointment is unconstitutional, since Trump didn’t seek the Senate’s advice and consent.

Watch our video to hear from organizers and protesters, many of whom marched from Times Square. “This is about the rule of law; no one is above it and we must preserve it,” Congresswoman Caroline Maloney told the crowd at Union Square. “And the people have to speak out as you’re doing today.”

Video by Amber Wang.

Smart Food, Indeed! This Delicious Popcorn Helps Autistic People Land Jobs

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Sam Bier (Photo via Popcorn for the People’s Instagram

If Popcorn for the People had a kernel, it was 24-year-old Samuel Bier.

Bier, who is autistic, wanted to work, travel, and live like everyone else. Three years ago, he applied for jobs, but was constantly rejected. The unemployment rate for people with autism is 80 to 90%, and it was clear that the system was working against him. That was until his parents, two doctors, saw him joyfully eating popcorn while watching Monty Python.

Combining Sam’s determination and his favorite snack, Dr. Barbie Zimmerman-Bier and Dr. Steven Bier created Popcorn for the People in order to give opportunities to people like Sam and lower the unemployment rate for people with autism. Sam began making the popcorn flavors, developed by Chef Agnes Cushing-Ruby, who also has an autistic child.

“When people are empowered they are more responsible, more creative, take bigger risks and embrace accountability,” the company’s website reads. “That’s why we choose to employ individuals who are intent on overcoming challenges to be at their very best. We also think they make better popcorn because of it.”

For the record, Popcorn for the People’s popcorn is really, really good. The flavors are unique: cookies n’ cream, buffalo wing, french toast, and salt n’ vinegar. For the less adventurous, there are options like white cheddar and butter salt.

(Via Popcorn for the People)

The company employs 15 adults with autism and other developmental disabilities to produce the popcorn, and has another team of 15 that Chief Event Manager Steven Frank brings to events in places like Rutgers University, Red Bull Arena, and Lyric Theatre, currently home to Harry Potter and the Cursed Child.

Frank ended up selling popcorn in Red Bull Arena through a big name who was willing to help. “We got in through Doug Flutie, an ex-football player whose son is autistic. He gave us a grant to expand our organization, and he got us into Red Bull Arena,” Frank says. The former Buffalo Bills quarterback became a game-changer for Popcorn for the People because it hires people like Flutie’s son. The Flutie Foundation grant helped pay for a new processing facility in Piscataway, New Jersey, that is approximately 2,400 square feet bigger than the old space in East Brunswick.

Popcorn for the People is the social enterprise of Let’s Work for Good, a nonprofit founded in 2015 to create meaningful and lasting employment for adults with autism. They train, support and create long-term employment for their hires, combatting the social isolation many people with autism feel when they leave high school. They operate out of New Jersey, which has the highest autism rate in the United States. Since 2000, autism in New Jersey has climbed 200%, and one in every 34 children is affected.

Employers and experts tell Slate’s Sarah Carr in a story about a young autistic boy finding work that “once an autistic worker lands a suitable job, he or she usually excels.”

Dr. Steven Bier, one of the founders, notes that unemployment in the autistic community is so high because “inability to read cues often leads to eventually being fired– especially when management changes.”

“The workers tend not to be burdened by habits that can negatively affect a workplace: Don’t smoke, drink or be tardy,” Dr. Bier says. “On the positive side, the job is often the most important thing in their lives so they tend to be more dedicated to their work.”

According to Popcorn for the People, three bags of popcorn provide at least one hour of employment for an adult with autism or another developmental disability, with employee ages ranging from 20 to 50. All of the proceeds from the sales go directly to Let’s Work for Good.

This month, Popcorn for the People also began a partnership with Goldman Sachs, setting up shop in the lobby of the banking giant’s headquarters at least once a week. November 1 marked their second visit to the West Street building, and Steven Frank is happy to report that the popcorn sold out both times. The company also recently began selling their popcorn bags for $7 on Amazon, advertising their 12 artisan flavors as gluten-free and kosher. Bigger tins are available on their website, and sold in sizes ranging from 1 gallon to 6.5 gallons. Prices for the tins range from $27 to $63.

Fundraisers and events in New York City and New Jersey are the best places to find Popcorn for the People for now, but Frank hopes they will continue to grow. “We’re trying to grow the online end of it and go international,” he says. They’re also hoping to expand to other venues like the Lyric Theatre, and continue to employ people like Sam and Doug Flutie’s son. “There are so many adults that need to work, so the more that we get, the more work that they have.”

The ‘Future of Sports’ Pop-Up Is Part Gym, Part Art Installation

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(Photos: Erica Commisso)

When it debuted in Washington, D.C. last fall, The Future of Sports drew 20,000 visitors in 45 days and got a bunch of media attention for being so Instagram-worthy. Following its success, Nicole Pinedo decided to take her enterprise across the country, starting with New York City.

The interactive experience has now opened in a building on North 9th Street that looks like any other Williamsburg warehouse, except for one thing: It’s bright, lime green. Inside, on the other hand, it’s completely dark, save for a few glow-in-the-dark pieces of equipment: tennis racquets, footballs and lockers.

During our recent visit, Pinedo walked around the space in a shirt that perfectly matched the lime-green paint of the overwhelmingly large basketball court that greets guests as they walk in past the locker room. She described how each area can be turned into an activation. For a $35 entry fee, guests can box and play football, tennis, and soccer in the space, laid out as one big recreational area divided by activity.

The Future of Sports is kind of like a P.E. class meets a club meets a gym, with hip hop anthems like Jay-Z’s “Empire State of Mind” reverberating through a boxing gym, a cycling studio, a soccer field, and other fitness sections. There are no walls per se, but the feel is that of an interactive museum: in one-hour intervals, guests can glide between playing all of their favorite sports. “Nike’s entire New York City team just left,” Pinedo said casually. “They were doing some basketball challenges and stuff. It was cool.”

The idea for the interactive experience came from Pinedo’s childhood as an athlete in a family of athletes, and her desire to bring a cultural experience to her native Washington, D.C. “My dad played in the World Cup–they were the only Bolivian national team to make it to the World Cup, so that was a pretty big deal,” Pinedo said of her father, Mario, who was a member of the 1994 team. “I grew up in stadiums watching him play. I always wanted to be like him, and so I became a soccer player myself.” She trained morning and night, before school and after school, until she injured her meniscus and ACL, ending her career.

Pinedo didn’t want to be confined to the small parties and fitness events in Washington, though, and didn’t want to let her injury get in the way of her dreams. “I was always interested in fashion, music and culture as well, so I decided to combine them,” she says. The art element comes through in the decorations: there are pulsating lights in the boxing gym, the basketball court’s tiles are laid out like an optical illusion, and the one-person tennis courts are laid out in bright colors and off-kilter shapes.

The installation is entirely self-funded, and Pinedo collected donations from friends and family as well as pumping her life’s savings into the project. Her father, who now owns a construction company, helped her build out the space alongside a few other volunteers.

Over the weekend, Pinedo says, Future of Sports celebrated its opening by hosting a launch party with over 250 attendees, including social media personality Shiggy (best known as the guy who invented the In My Feelings Challenge) and musician Mack Wilds. They’ve partnered with yoga studio y7, Gloveworx and Spiked Spin to host ticketed classes in the space, with more slated for the future.

The lime green space will be open at 61 N 9th St in Williamsburg until January 6.

Glossier Has More Skin in the Game With This Insta-Fabulous New Flagship

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(Photos: Summer Cartwright)

The worst thing about Glossier’s new flagship location in New York is leaving — no, seriously, it’s very hard to walk down the stairs in heels.

As a beauty site that launched its own line of cosmetics in 2014, Glossier is known for a minimalist, dewy look. It previously had just a sample room, but as of Nov. 8, the looks inside its new flagship might become better known than the looks produced outside.

Aside from the many women struggling down those stairs, the large new location at 123 Lafayette Street is exactly what the skincare line’s fans crave: an aesthetically pleasing place with quick service and incredible Instagram potential. There are couches that resemble lips, granite art pieces miming glosses and face washes, and walls designed to look like whatever it is that holds the sample lipstick in place.

Small cylinder lights hang down from the ceiling of this new tourist trap, lighting the millennial pink walls just enough to highlight the many selfies being taken using mirrors meant for examining makeup. Or maybe they’re meant for selfies. After all, the mirrors have bolded sayings like “you look good” on them.

The workers in light pink onesies and white Reeboks are armed with iPads in their back pockets, and are friendly and eager to help all who enter, which, on Friday consisted of many moms and daughters like Jessica Valentin and Yesenia Castaneda of Orlando, Florida.

The duo came to the East Coast for a birthday party in Pennsylvania, but made sure to make time for a visit two hours out of the way at Glossier’s flagship. Castaneda, 17, had a face full of perfected makeup and eyes full of excitement. She bought four different things — lip color, face shimmer and more — all the while taking as many photos as possible.

“I’ve been following them on Instagram, so it’s so cool to see it in person,” she said between sampling product.

“We’ve been here 20 minutes,” Valentin, the 17-year-old’s mom said. “We’re touching everything.”

It might be the look of the store that brings women and men of all ages into the shop or onto the brand’s Instagram. But the minimalistic makeup isn’t just good marketing or branding — it’s good messaging, said Rhonda Heier, who came to the store with her daughter and niece.

They were more infatuated with the brand and its samples, but Heier was happiest that the products teach women of all ages that “they don’t have to wear a face so full of makeup” — they can use Glossier and bring out their natural beauty.

(Photos: Summer Cartwright)

Glossier is open Monday through Sunday from 11 a.m. to 9 p.m. and all products are available to sample in person.  

The Latest Wes Anderson Art Show Was One for the Dogs

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(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

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(Photos: Daniel Maurer)

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(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

(Photos: Daniel Maurer)

It’s been three years since the folks at Spoke Art produced an art show dedicated to Wes Anderson, so why not host another? The latest one, which took place over the weekend at Parasol Projects on the Bowery, featured over 100 artists paying homage to the director’s latest, Isle of Dogs.

Why a tribute show now, seven months after the film came out? Well, a behind-the-scenes coffee table book was just published. And it sounds like it’s going to be a while before Anderson’s next one, rumored to be a “musical comedy” set in France. So, why not?

While Anderson himself has been busy curating an exhibit for Vienna’s Kunsthistorisches Museum (its title is as twee as you’d expect: Spitzmaus Mummy in a Coffin and Other Treasures), the folks at Spoke Art have been curating works inspired by the director’s film about a boy named Atari and his attempt to rescue his dog, Spots, from quarantine on Trash Island. At a private preview of the “Isle of Dogs Art Show” on Friday, guests such as writer Jay McInerney and designer-model-actor Waris Ahluwalia, who has appeared in The Life Aquatic and other Anderson movies, mingled amidst dozens of works of tribute art as well as some actual sets used for the stop-motion film.

Among the highlights of the show were a human-sized pilot uniform created by Brooklyn-based painter and textile artist Laura Eliason; a large tapestry of a dog-slaying samurai by Dan Christofferson; a portrait of Oracle the pug, painted onto old hardcovers, by “book sculpture” artist Mike Stilkey; a paper sculpture of Wes Anderson as Fantastic Mr. Fox, with Spots at his side, by paper artist Britni Brault; a puppy in a snow globe by Zoe Williams; and, of course, more than one homage to the film’s blondfro-sporting heroine Tracy Walker. There were screen prints aplenty– everything from ads for Puppy Snaps to reimaginings of the movie poster.

Click through our slideshow to have a look.

Zenchai Is (Avocado) Toast: Matcha Cafe No Match For Marketplace

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Zenchai Matcha Cafe, aka that place where I once saw Eric Andre working on his laptop, has closed after a little over a year on the Lower East Side. Last week, a sign on the window explained that “due to market conditions, we will be closed until further notice.”

The cafe’s owner told Bedford + Bowery that the closure is most likely permanent. “The retail market is tough and the LES is one of the least conducive to daytime businesses,” he wrote. “We simply couldn’t ride out the lean months/years until the neighborhood/foot traffic justifies the rent.”

Despite serving on-trend avocado toast and acai bowls, Zenchai was a relic of a time when matcha cafes didn’t top their tea with cheese. No wonder it couldn’t compete. But seriously: This is where I once ordered an ube latte and saw absurdist comedian and onetime Rosario Dawson beau Eric Andre working on his laptop at a window seat. I kept waiting for him to jump through the plate-glass window and light himself on fire, or to pour ranch dressing on someone, but it never happened.

Thanks for the memories, Zenchai.


The New Terez Pop-Up Feels Like the Clubhouse of Your Tween Dreams

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(Photos courtesy of Terez)

In middle school, my best friends and I passed a journal around filled with doodles and secrets. Today, two middle-school best friends took this enterprising spirit to the next level, opening the first physical space for their forward-thinking clothing line.

Since Zara Terez Tisch, the CEO, and Amanda Schabes, the creative director, launched Terez in 2012, the brand has become famous for flashy, patterned leggings (running around $75-$100) featuring everything from emoji to Get Out the Vote slogans

(Photos courtesy of Terez)

The Terez pop-up– which will be at 158 Mercer Street in Soho until December 2– feels like the clubhouse of my prepubescent dreams. There are stencils and markers for drawing on the mirrors; plastic bags to fill with an array of patterned scrunchies, candy bag-style; and treats from Dana’s Bakery. At the center is a tree with pink streamers for leaves, which the founders say emits the core energy of the Terez brand. At the “wishing well,” guests can write a positive thought on a leaf, clip it to a string to drop it into the well, and turn up a note from another visitor.

Terez apparel first took off with kids, who adopted the wild legging patterns more quickly than their parents, at a time when monochrome leggings were still the norm. “Kids just love what they love,” Schabes said.

Terez donates a portion of proceeds from pop-up purchases to Women in Need, a non-profit serving homeless women and children. All of the apparel is made in New York, where the founders are from.

“We wanted to build a physical location where people can come and feel good about themselves and who they are,” Tisch said.

Each Instagram-ready dressing room is based on a legging print; one features real cassette tapes on the door, with a cassette player and headphones for playing them. The founders count their social media presence as a key to their early success. Terez made over a million dollars in annual revenue in 2013, the Times reported in 2016, and revenue doubled each year in between.

Near the end of my visit, Schabes and Tisch presented me with a “kindness coin,” one of the 200 that will be handed out to pop-up visitors, with instructions to pass the coin on to a friend to be redeemed for any item in the store. It reminded me of a goofy tradition my middle school friends had of passing each other nickels for good deeds.

“There’s a lot of darkness out there, so we try to bring in the light,” Schabes said.

Art This Week: A Stonewall Veteran, Violent Clothing, and More

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Thomas Lanigan Schmidt. Lollipop Knick Knack (Let’s Talk About You), c. 1968-69. Foil, printed material, linoleum, glitter, staples, Magic marker, found objects and other media

Tenemental (With Sighs Too Deep For Words)
Opening Friday, November 16 at HOWL! Happening, 6 pm to 9 pm. On view through December 19.

The year 2019 (which isn’t too far away) will mark the 50th anniversary of the Stonewall riots, a pivotal and much-debated moment in LGBTQ history. While 50 years is a fairly long time ago, some people who were present on that fateful day are still alive and kicking today, including the artist Thomas Lanigan-Schmidt, who will be exhibiting a collection of art and ephemera at HOWL! Happening right before Stonewall’s 50th. Lanigan-Schmidt’s work is kitschy and eye-catching, using common-yet-ostentatious materials like foil, glitter, and colorful plastic wrap. Broken down into individual parts, his materials may appear to some as trash, but assembled into these creations they take on a new, queer life full of promise.

(image via Muddguts / Facebook)

Death/Traitors
Opening Friday, November 16 at Muddguts, 6 pm. On view through December 9.

Muddguts, the East Williamsburg gallery opened by tattoo artist Mark Cross and photographer Lele Saveri in 2013, has brought plenty of underground weirdness over the past few years. They aren’t stopping anytime soon, as Friday they’ll be unveiling an art show and pop-up shop in collaboration with the brand Death/Traitors. The name might sound threatening and morbid, but that’s uh, because the imagery they’re selling is pretty much both of those things. One of their shirts proclaims “do not feed the putrid dogs of WAR,” another says “power through violence; they hate you.” But there’s something that feels timely and appropriate about this intensity in an age where the demise of the planet and rise of fascism are things that are casually, frequently discussed.

Jamie Gray Williams
Schadenfreude, 2018
62 x 57″

Very like a whale
Opening Saturday, November 17 at Selenas Mountain, 7 pm to 10 pm. On view through December 21.

While yes, there’s a lot to feel grief and anger in this current moment, it’s important to also maintain some levity and humor in life, lest we all go insane. Someone who seems to understand this is artist Jamie Gray Williams, whose paintings and drawings go on view at new space Selenas Mountain this Saturday. Williams’s exhibition takes its name from a playful exchange of dialogue from Shakespeare’s play Hamlet—fitting, as it’s a moment of lightness within a tragedy—and her works are filled with abstracted, cartoonish figures. These, according to an exhibition description, are inspired by old-school comedic figures like the Three Stooges and are meant to “[invoke] slapstick misfortunes.” They’re funny, they’re sad, and you can stand there and be glad at least this stuff isn’t happening to you. At least, not yet.

Yoga-Boxing Entrepreneur Olivia Young Brings Out Her Yin-Yang With an Expanded Studio

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Olivia Young (Photo courtesy of Box + Flow)

It’s November 1, the two-year anniversary of box + flow, and 32-year old founder Olivia Young is feeling reflective. “I woke up from a nightmare this morning,” she says. “I was crying right before you got here.”

Young is unapologetically herself, and is arrestingly honest. She’s the kind of person you trust immediately. She hands me a beer from the mini-fridge beside her desk, and we cheers to the second anniversary of box + flow and to my own personal growth, in a disclosure I will share with her but not with the internet.

(Photo: Andre Dolgin)

She’s building a lifestyle brand, starting with box + flow, her Liv Young website, and herself. She talks quickly and excitedly about her future plans, accentuating the last syllables of every sentence as though she is kicking a punching bag. BelieF. KicK. PunCH. DreaM.

Young moved to New York from Miami Beach in December of 2009, leaving an ex-boyfriend in Boston and chasing her dream. She was a culinary school graduate and a brand director with restaurateur Michael White, but it wasn’t fulfilling. “It got to a place of indulgence rather than enjoyment,” she says. “I wasn’t eating to be stuffed. I was eating to appreciate the food.”

Instead of staying out late and drinking at festivals, she says, she was waking up at 5am to run, box and do yoga. She found herself on a path of self-understanding and, and at 29, created box + flow.

The concept of box + flow is Young’s brainchild, unique in its combination of high-speed boxing moves and a sudden switch to calming yoga poses. For the yoga segment, participants are lined up facing each other in homage to the brand’s slogan, “bringing mindfulness to the fight.” Lights change color and background music changes from Nirvana to Bon Iver as one’s heart rate rises and falls again, but Young says her class is designed for people to work and motivate themselves only as hard as they want to. “I’ve seen people say things like oh, you got to the gym, the hard part’s over. Great job!” she says. “No, now you’re at the gym. What are you going to do with that time?”

The space at 55 Bond Street attracted people like her: young creative professionals. It’s easy to see why; her office has beautiful wallpaper (purchased at CB3, a fact Young is very proud of), Instagram-worthy quotes on the walls, and a wall made from cases of beer. “Budweiser sends us a lot of beer,” Young says by way of explanation, her high heels tapping by the boxes and punching bags.

(Photo: Erica Commisso)

The studio has done so well in the last two years that Young has decided to remodel, accommodating showers and an open-concept bar/front desk in the second-floor space, where she hopes that, in the future, she will sell her own brand of lifestyle products, including apparel and food items. Recently, she started selling CBD gummies out of her office.

Since she took the space over, it’s become a materialization of Young herself: flower arrangements and trendy furniture align with Young’s stylish outfit and perfectly coiffed hair, while a photo of Muhammad Ali on the wall and boxing gloves on the opposing shelf align with the image of Young beating up a punching bag. The whole space is echoey, forcing you to listen back to the words you just said–whether you want to or not.

Now, box + flow’s website boasts seven instructors, both male and female (including Olivia), and offers registration for 24 classes a week, sold individually or in packages ($33 for a single class and $300 for ten classes, with other options available). Her clientele is divided almost evenly between men and women, another fact Young is proud of. “I didn’t want to cater just to women,” she says. “I want everyone to feel comfortable here.”

Her alter-ego, Liv Young– a clever play on words that encompasses the meaning of her lifestyle brand– is omni-present in the studio and in her life. She can still appreciate a good bunless burger and a six-pack of good beer, but is more than willing to show off her six-pack abs and her post-workout sweat. “Work hard to live young,” she says, regarding a burger or a cold beer as a treat for working out and being introspective.

It’s a mantra of her whole life: put in the work, she says, and then celebrate yourself and what you’ve accomplished. And, on the two-year anniversary of her opening, that’s exactly what she’s doing, but not without a bit of self-awareness. “What are you celebrating if you haven’t worked hard to get there?”

Pop Artist Nicola L Wants Us to Wear Her Skin and Younger Artists Are Into It

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Nicola L’s “Library Head,” 1994 (courtesy the Sculpture Center and the estate of Nicola L).

Nicola L was making art around the same time as other household pop art names like Andy Warhol. But while Warhol has a huge exhibition at the Whitney right now (with a sick gift shop), Nicola L didn’t get her first major retrospective until last year.

Nicola L is retired and lives in California now, but there’s a new exhibition of her work opening tomorrow at Arsenal Contemporary at 214 Bowery. The show, called CHÈRE, will feature several of the artist’s “furniture-sculpture amalgams” — sculptures that work as furniture and look like people. Library Head, for example, resembles a human head in profile, and also has bookshelves.

“I don’t like to think of her as a forgotten artist,” said Loreta Lamargese, the gallery director, noting that Nicola L’s work has influenced artists for decades.

“Not a lot of female pop artists got their due–and there were a lot working in the ‘70s,” she said.

The work of three newer artists — Nadia Belerique, Ambera Wellmann, and Chloe Wise– will appear beside Nicola L’s. Their pieces pick up on the themes Nicola L spent her career exploring, like objectification, sexuality, and personhood. Toronto-based artist Nadia Belerique’s installations look like tall coffee tables, with flowers and other things on top; viewers can look up at the objects through scanner-like translucent surfaces. The Toronto Star said in 2016 that Belerique’s installations work “strange magic: of freighting cool objecthood with the weight of emotional intelligence.” Ambera Wellman, who won the 2017 RBC Canadian Painting Competition, will have her wet, plastic-looking paintings on display.  “Her work looks like an object and a person and both at once,” Lamargese said.

Nicola L’s “White Foot Sofa,” 1968 (Courtesy the estate of Nicola L)

Some pieces engage with the artist’s work more literally. Wise has been described by New York magazine as “a kind of ‘It’ girl, part of a group of mostly female artists who are taking the concept of downtown scenester to a larger audience, mainly through social media.” One of her works features a model posing with a foot-shaped couch Nicola L made.  

The newer artists demonstrate “what pop would look like in 2018,” Lamargese said. Several of their works have a digital quality that points to the ways humans are objectified now that didn’t exist in the ‘70s (think selfies).

Nicola L’s “La Femme Commode,” 1994/2013 (courtesy the estate of Nicola L).

One of Nicola L’s most famous works is Red Coat; it’s designed to be worn by multiple people at once, who then give a kind of performance, moving around in the coat in a public space with live music. “Red Coat invites the desire to share a collective skin,” notes the Tate Modern, where the work is exhibited.

“Nicola was interested in the world as a shared skin, and that shared skin had a utopian potential to bring us together as one group of people,” Lamargese said. The new exhibition echoes that idea of communion, she said, by bringing Nicola L’s work into conversation with other artists.

But the retired artist’s work calls out her peers, too. Pop art’s concerns with commodification, the body, and human versus object make it a natural realm for artists to explore feminine experiences, but the movement’s most prominent figures are men. Nicola L’s work illuminates the violence embedded in other (male) artists’ work, Lamargese said.

“Nicola’s work was undercutting the violent current and also speaking directly to it.”

Are we human, or are we dancer? Ponder it in good company tomorrow through January 13 at CHÈRE.

Village ‘Bagel Zone’ Expands

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(Photos: Daniel Maurer)

Have you noticed this outside of Tompkins Square Bagels on Second Avenue? A crafty carb lover has modified a road-work sign to indicate a “bagel zone.” The weird thing is that Tompkins Square Bagels is behind said bagel zone, not ahead of it. Is someone trying to send bikers to Black Seed, a block south over on First Avenue?

While you ponder this mystery, it’s worth noting that the Village bagel zone has expanded yet again with the opening of Brooklyn Bagel and Coffee at 63 East 8th Street, between Broadway and University Place. The 15-year-old brand has locations in Chelsea and Astoria (but none in Brooklyn, strangely enough) and serves hand-rolled, kettle-boiled bagels in all the varieties one would expect (and yes, that sometimes includes rainbow).

(Via Brooklyn Bagel & Coffee Company on Twitter)

These are not the petite, daintily schmeared specimens of Black Seed; the big ol’ bagels are generously stuffed with a variety of cream cheese flavors, including weekly specials like peanut-butter cup, pumpkin, and cool ranch (yes, rancher lovers, you heard right). There are also plenty of bagel-sandwich options, including the requisite egg-and-cheese, and turkey that’s roasted in house.

One thing to note: As of now, the shop only serves La Colombe drip, so if it’s an espresso drink you crave you’ll have to head over to Joe Coffee, a few doors down.

Will this entice Ice T to try a bagel (or, for that matter, coffee) for the first time in his life next time he’s filming in the neighborhood? Probably not. If the shop’s twitter feed is any indicator, they’re more focused on getting Cynthia Nixon in for some cinnamon-raisin and lox.

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